A quick but complex read—enjoyable on both counts.
Telekinetic teen Kayla lives a charmed life with her hippie mom until the past catches up with them.
Kayla’s mother, Moonbeam, covers their California cottage with spells and amulets, but her New-Age exterior and excessive eccentricities mask both true power and a fear of her husband, who (may have) killed their other daughter, Amanda. Having spent the last eight years on the run, Kayla is always prepared to fight or flee. Despite her mother’s orders to keep a low profile and never use her powers, Kayla employs her telekinesis to shoplift, pick pockets and generally cause havoc while hanging out with her rich friend, Selena. When a boy named Daniel approaches Kayla for help rescuing his kidnapped, cold-fish academic mother, Kayla finds herself teleported around the world in search of three magical stones. The stones are essentially a narrative MacGuffin, making the teens confront their irresponsible parents and discover the source of their powers; as voodoo queen Marguerite remarks, “Who hides an evil spell and then leaves a map?” While the novel starts simply enough, it soon takes a kitchen-sink approach, layering issues of domestic abuse, fraught parent-child relationships and amoral power plays beneath teen romances, tourism and dizzying action sequences. Thankfully, Durst leavens the angst and childhood trauma with snappy dialogue, snarky teens and explosive exploits.
A quick but complex read—enjoyable on both counts. (Fantasy. 12-18)Pub Date: Oct. 14, 2014
ISBN: 978-0-8027-3755-7
Page Count: 368
Publisher: Walker
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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