A quick read with a timely premise.
It's 2042. Only a tiny sliver of the world's population is left—and there's a serial killer on the loose.
"Izabel had thought no one would kill another person again. Not after what they'd all been through." Ten years earlier, in an event now known as The Turning, the trees had released so much pollen into the air that simply breathing killed millions, including almost everyone over 60 and under 10. Izabel was working in a hospital morgue at the time, which is where she met her husband, Kaito. Now they have a 4-year-old daughter, Cami, and the family lives in a plastic dome in a town built on a slab and where transportation is provided by self-driving cars and a spiritual center offers weddings and funerals as well as counseling and tarot readings. The latter two play a major role in the plot, as do Japanese mysticism, messages from the dead, and possession by spirits. Izabel medicates her longing for the lost world by turning on reruns of America's Got Talent and The Backyardigans and pulling up news stories from 2017, when the planet seemed to be headed toward so many different disasters—but the revenge of the trees? No one saw that coming. Now some depraved person is killing whole families by slitting the walls of their plastic domes, and Izabel becomes so obsessed with the murders that she ends up in the middle of the police investigation, headed by a dry, bossy female federal agent named Inspector Paz. The strongest aspect of poet Blake's second novel, after Naamah (2019), is her worldbuilding, which is full of interesting details, from giant blueberries to privacy pods, but the writing is utilitarian, the character development, minimal, and the plot relies too heavily on mystical interventions.
A quick read with a timely premise.Pub Date: Feb. 8, 2022
ISBN: 978-1-64375-106-1
Page Count: 320
Publisher: Algonquin
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
