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LUCREZIA BORGIA

LIFE, LOVE AND DEATH IN RENAISSANCE ITALY

A thoroughly researched, gracefully written revision of the most beguiling Borgia.

A sympathetic view of the Renaissance beauty’s progress through a maze of political marriages to become the Duchess of Ferrara.

Lucrezia Borgia (1480–1519) has been unduly maligned by history, says veteran biographer Bradford (Elizabeth, 1996, etc.), attributing much of the bile to contemporary enemies of her family. The British author makes a good case, based on material from the relevant archives and careful reading of others’ treatments. She depicts Lucrezia as a woman of great administrative skill who ruled Ferrara while her husband was continually absent, thanks to battles both political and martial. Her father Rodrigo was a cardinal and then pope, her brother Cesare an ambitious schemer, warrior, and murderer; Lucrezia outlived them both. Educated by her infamous family, as well as by circumstance to survive and thrive in a precarious world, she even managed to maintain an intimate correspondence with a lover who was fighting with forces opposed to her husband. (She also survived him.) All three of her marriages were arranged. Her father had already promised her to two other men by the time she was first wed at 13, but Rodrigo dissolved that marriage and arranged for another to the son of Alfonso II of Naples, with whom she had a son. When that marriage also became an inconvenience for the scheming Borgias, they made the young Alfonso an offer he couldn’t refuse, certified that Lucrezia remained a virgin, and married her to another Alfonso, son of the Duke of Ferrara. After some initial problems with conception, she remained continually pregnant until the end of her life; the last birth killed her at age 39. Bradford lavishly describes the opulent particulars of Lucrezia’s life—clothing, food, dwellings, parties, bling-bling—but always keeps her focus on this most astonishing woman.

A thoroughly researched, gracefully written revision of the most beguiling Borgia.

Pub Date: Nov. 1, 2004

ISBN: 0-670-03353-7

Page Count: 400

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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