A truly original entry into the growing canon of motherhood novels.
A woman reeling from a medical trauma becomes immersed in translating an unusual book of true crime.
“I have always been intimidated by mothers,” says A., the narrator of Bruni’s strange and fascinating second novel. Of an age where she’s contemplating settling down and starting a family, she has a stable if somewhat meager life adjunct teaching a course called “Language Elective for Non-Native Speakers.” Then, during some routine medical tests, doctors discover a precancerous condition that they must treat by removing her reproductive organs. She loses her teaching gig during the long period of convalescence, and when she heals, she begins work as a caretaker for a young high-needs child. She also meets N., an immigrant with whom she dances away long nights in bars. One evening, she comes across a book on N.’s shelf: Field Notes, by Tomas Petritus, a book of testimonies by the mothers of boys who have gone missing in an unnamed country. Written in N.’s native language, the book tells the story of Mothers United, an underground network of women who channel grief over their missing children into political activism designed to raise awareness and demand answers from their government. When A. gets a grant to translate Petritus’ book, she travels to the town at its heart—“a town whose name has become synonymous in the national media with mass disappearances”—and learns that the book is not quite what it seems. In a fragmented, braided style reminiscent of Jenny Offill’s Dept. of Speculation (2014), Bruni weaves together explorations of language, borders, and belonging, as well as of the precarious and frequently terrifying state of motherhood. The result is a deeply intelligent, prismatic look at the personal and political facets of maternal care.
A truly original entry into the growing canon of motherhood novels.Pub Date: Feb. 3, 2026
ISBN: 9781250392619
Page Count: 272
Publisher: Henry Holt
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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