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THE MANY LIVES OF MARILYN MONROE

Pumps a lot of bilge overboard. (13 b&w illustrations)

Astute scrutiny of “the perilous and fascinating lines between fact and fiction, between desire and contempt, between knowledge and doubt,” as demonstrated in critical and biographical treatments of the iconic sex goddess.

Monroe is a brutally oversold image, writes Churchwell (Literature and Culture/Univ. of East Anglia), “an icon of desirability and a stereotype of pathological femininity.” On the one hand, Monroe is a myth, relecting and sanctioning our cultural values; on the other, as Churchwell makes clear, her symbolic relationship to femininity, sexuality, Hollywood, and celebrity has become what the author calls a dead metaphor, “a metaphor that has lost its figurative power, and gets taken literally.” Churchwell wades into the various biographies, biographical novels, plays, and photo-essay, from Fred Guiles and Barbara Leaming to Norman Mailer, Joyce Carol Oates, and the truly weird Frank Capell, staunch anticommunist and hater of all things Kennedy. With sparkling clarity, she analyzes how these works feed our notions of spectacle, commodity, and representation. Worst of all, they just don’t get it right: Churchwell, who can be coruscating, dubs one psychological profile “stupid to the point of incomprehensibility.” She’s an author of the if-it-looks-smells-and-tastes-like-an-apple-it-is-an-apple school of thought. Writing about Leaming’s comment that the skin-tight gold lamé Monroe wore in 1952 to an awards ceremony showed that the actress was “hell-bent on self-destruction,” Churchwell dryly adds, “rather than the more obvious goal of self-promotion.” She would like to liberate Monroe from such glib characterizations, especially those that use the name the actress discarded to make sentimental assumptions about her “real” personality. “Marilyn Monroe was a real person,” she writes. “It is Norma Jeane who is the fiction, the cultural figment, the ghost of the real invoked as a death sentence.” Speaking of which, she also stirs up serious dust in examining Monroe’s death. Churchwell claims she’s not out to paint a new portrait, but to understand the genesis and purpose of the stories that swarm around Monroe. Turns out she does quite well on both fronts.

Pumps a lot of bilge overboard. (13 b&w illustrations)

Pub Date: Jan. 10, 2005

ISBN: 0-8050-7818-5

Page Count: 384

Publisher: Metropolitan/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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