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LAST TRAIN TO AUSCHWITZ

THE FRENCH NATIONAL RAILWAYS AND THE JOURNEY TO ACCOUNTABILITY

A rare book that ably combines historical edification with a moving narrative.

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A historical account of how the French national railway company collaborated with the Nazis and of its contentious journey toward atonement.

During the German occupation of France during World War II, the Société Nationale des Chemins de Fer Français, a state-owned railway firm, helped transport around 76,000 Jewish deportees to death camps. In the wake of France’s liberation, however, the beleaguered citizenry seemed to have little appetite for prosecuting its people’s war-related crimes; as author Federman, an assistant professor of negotiation and conflict management at the University of Baltimore, memorably puts it: “France emerged from World War II like most of Europe—too cold, hungry, and perhaps too disoriented to do much justice seeking.” During the occupation, she points out, the SNCF played a series of contradictory roles, variously assuming the mantle of a victim when the French government signed it over to the Germans; a hero of the Resistance, when some of its workers fought back; and a perpetrator of treason when it aided Nazi crimes. Later, when its collaboration became a topic of angry debate, the company retreated into legal technicalities and strenuously avoided acknowledging its moral transgressions or making any restitution. Partly because of protests in the United States, a 2014 settlement of $60 million was finally reached, including a considerable donation to Holocaust education and commemoration. The author furnishes a remarkably thorough account of the issues—historical, legal, and moral—as well as a rigorously lucid exposition of the “discursive landscape” surrounding them. Also, Federman astutely examines the debate as an illustrative microcosm of corporate responsibility at large, calling it “a rare example of what accountability looks like when a company…participates in a variety of transitional justice practices: commemoration, education, apology, and transparency.” The author’s analysis admirably combines scholarly scrupulousness with moral insight as she documents the personal stories of some who survived the Holocaust and others who did not.

A rare book that ably combines historical edification with a moving narrative.

Pub Date: May 25, 2021

ISBN: 978-0-29-933170-2

Page Count: 344

Publisher: N/A

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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  • New York Times Bestseller

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: yesterday

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