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GRANNY SMITH WAS NOT AN APPLE

History, biography, and orchard science presented in a neat, green, apple-shaped package.

The story of the woman behind the tart green apple.

In England, Maria Anna Smith finds work wherever it’s available, plowing, picking, pruning, shearing, shucking, shelling, or working as a midwife (historically called “Grannies”). But work is harder to find with the increasing use of machines to do farmwork. Finally she finds work in an orchard and learns all about harvesting and growing apples, which comes in handy when strangers from Australia arrive looking for experienced workers. (Brief notes throughout explore terms, processes, and history, such as the reasons for grafting.) Maria Anna, her husband, and their five children take a chance and board a ship for the four-month voyage. They scrimp, save, and work hard to be able to finally afford their own land, house, and orchard. By accident, the compost heap where Maria Anna mixed the scraps of her red apples with those of some Tasmanian crab apples sprouts, and she nurtures the seedling, which eventually produces disappointingly green apples that turn out to be surprisingly tart and delicious, and thus a new apple variety is born. McLeod’s illustrations bring history alive on the page, depicting the houses, clothing, and tough working conditions of Maria Anna’s time. All the people are light-skinned. A backmatter note directed at adults explains the impact of the British colonization of Australia on its Indigenous communities. (This book was reviewed digitally.)

History, biography, and orchard science presented in a neat, green, apple-shaped package. (selected bibliography, timeline) (Picture-book biography. 4-9)

Pub Date: Sept. 1, 2023

ISBN: 9781441339447

Page Count: 32

Publisher: Peter Pauper Press

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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THE SECRET GARDEN OF GEORGE WASHINGTON CARVER

Memorable art earns this biography a respectable place on the shelf.

George Washington Carver tended a secret garden of flowers before becoming known for his skill in agriculture.

The book opens in 1921 as Carver addresses the U.S. Congress, astounding them with dozens of uses for the peanut. The narration then takes readers back to Carver’s childhood to discover how he reached that career highlight. As a child, he loved flowers, but he was warned not to waste time on plants that couldn’t be eaten or sold, so he kept his colorful garden hidden in the woods. Shut out of schools because he was black, he studied nature independently and learned through experimentation. Eventually, he started caring for neighbors’ sick plants, becoming known as “the Plant Doctor.” At 12, he left the farm on which he was raised and attained a formal education, after which he taught students at the Tuskegee Institute and farmers with a mobile classroom mounted on a wagon. This journey through Carver’s childhood and accomplishments ends with Carver’s simple but memorable words, “Regard Nature. Revere Nature. Respect Nature.” The substantial text holds readers on each spread long enough to appreciate not only the subject matter of the painted illustrations, but Morrison’s artistic techniques—strong strokes and careful dots, artful combinations of textures and shapes—which create lush forest scenes and portraitlike human faces and forms. The childhood story feels more cohesive than the final pages, which list his adult accomplishments but lack the narrative thread.

Memorable art earns this biography a respectable place on the shelf. (timeline, bibliography, further reading) (Picture book/biography. 4-9)

Pub Date: Jan. 14, 2020

ISBN: 978-0-06-243015-1

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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FRIDA KAHLO AND HER ANIMALITOS

A supplemental rather than introductory book on the great artist.

Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.

Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.

A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7358-4269-4

Page Count: 40

Publisher: NorthSouth

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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