A melodic medley about music and memory.
In this essay collection, Gorham, the founder of Sarabande Books, reviews her life’s losses through songs that helped her to understand them.
The author writes that she was collecting melancholy music long before she thought that it might serve as a suitable playlist for her inevitable funeral. After all, there are many times in life when a sad song is necessary: “No life in its many stages is without bereavement,” writes Gorham in her introductory note. “And, whether it’s the thunder and brilliance of Mozart’s Requiem, the sultry, somber notes of Nina Simone’s love song, or the simple Irish melody of ‘The Parting Glass,’ elegiac music gives us access to deeper regions of thought and imagination.” Those are just three of the dozen songs that have informed Gorham’s sense of mortality; Vivaldi’s “Winter,” for instance, reminds her of foolish risks she took as a teenager in Switzerland, and of a Vespa crash that nearly killed her husband. Jeri Southern’s version of “Dancing on the Ceiling,” from the musical Ever Green, allows her to consider how death and life are inversions of each other. The author effectively ruminates on the uncanny marriage of music and loss across multiple genres, from classical to blues to folk rock, and even some unrecorded, diegetic melodies. The call of the mourning dove—perchoo-oo-oo-o, in Gorham’s rendering—is the sound the author associates with her mother’s illness and death from cancer; her mother’s absent-minded hum, “a stay against chaos, a modest argument against death,” gets a brief chapter. Music is famously a difficult art form to capture on the page, but Gorham has the imaginative vocabulary to succeed at it; she also has a talent for the succinct, poetic observation: “A song is a living thing that occupies a body very briefly,” she writes. “Either it dies from lack of use, or it moves along through the centuries evolving, as generations come and go.” Overall, these essays are perhaps a bit too free of incident to be completely captivating, but there are many thoughtful passages that will stick in the mind.
A melodic medley about music and memory.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Nov. 27, 2024
Review Program: Kirkus Indie
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A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasingly unformulaic book of hard-won advice that never rings false.
The comic and television personality turns serious—semi-serious, anyway—in a combination memoir and self-help book.
Handler opens these generally short essays with a memory of childhood that closes with the exhortation to keep the child within us alive into adulthood: “Hold on to that child tightly, as if she were your own, because she is.” The memory soon veers into the comically absurd, with an account of a cocaine-fueled cross-country trip with a random companion who looked like another TV personality: “I don’t know if Dog the Bounty Hunter does copious amounts of cocaine, but he sure looks like he does.” Drugs and juice are seldom far from the proceedings, but therapy is close by, too, and clearly the latter has been of tremendous use, if “exhausting in the sense that every new development or idea led to a period of intense self-awareness followed by waves of acute self-consciousness coupled with endless self-recrimination.” As the anecdotes progress, that intense self-awareness becomes less fraught. Some of her life lessons are drawn from her experiences wrestling with the yips and setbacks of performing before audiences; some turn into knowing one-liners (“I knew if three men in a row told me not to do something, it was imperative that I do the opposite”). Most, even if tongue-in-cheek or rueful, are delivered with a disarming friendliness laced with her trademark archness: Her account of a dinner opposite Woody Allen and daughter/wife Soon-Yi is worth the price of admission alone. In the main, Handler is a cheerleader for everyone worthy of cheers, and especially women. As she writes, encouragingly, “You have misbehaved, and then corrected, and then misbehaved again, and then corrected some more”—and have grown and flourished.
A pleasingly unformulaic book of hard-won advice that never rings false.Pub Date: Feb. 25, 2025
ISBN: 9780593596579
Page Count: 320
Publisher: Dial Press
Review Posted Online: March 4, 2025
Kirkus Reviews Issue: April 1, 2025
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