Heathcliff without fangs is scary enough.
Another literary classic is hijacked by toothy interlopers, this time courtesy of Gray, aka romance novelist Colleen Faulkner.
The formula is simple: Take a classic in the public domain and appropriate most of the author’s prose, sprinkling in references throughout to the ghoul du jour. While Jane Austen’s ironic worldview lends itself to horror spoofing (think books like Pride and Prejudice and Zombies, 2009), Wuthering Heights is “dead” serious. Gray reiterates, more or less verbatim, large chunks of Emily Brontë’s prose, interspersing various references to vampires, a plague of which has apparently been running rampant on the same Yorkshire moors trod by Heathcliff and his eternal love, Catherine Earnshaw. The structure and major plot elements of the original are kept intact. Nelly, a housekeeper who served both the Earnshaws and the Lintons, Brontë’s fatefully linked fictional families, relates the history of Heathcliff, Catherine and their descendants and siblings to a tenant who has come to occupy Catherine’s former marital home, the Grange. Heathcliff, a gypsy orphan brought home by Mr. Earnshaw, patriarch of Wuthering Heights manor, grows up with the Earnshaw siblings, Hindley and Catherine. Although Catherine and Heathcliff are childhood playmates and soul mates, she capriciously decides to marry their closest neighbor’s son, milquetoast Edgar Linton of the Grange. Her defection launches Heathcliff on a path of revenge—he marries Edgar’s sister Isabella out of spite—that will end only with tragic early deaths, and the virtual enslavement by Heathcliff of Hindley’s son Hareton, his own son Linton and Catherine’s daughter Cathy. Heathcliff’s depravity makes him a difficult character to elicit sympathy for, but somehow Brontë manages this. Not so Gray in this mashup, where the main focus of suspense is whether Heathcliff, a known vampire slayer, is himself among the undead. Will Cathy, secretly training to be the first female vampire slayer, be his nemesis? Anecdotes describing mayhem perpetrated by the bloodsuckers lend a disconcerting layer of gallows humor to the proceedings.
Heathcliff without fangs is scary enough.Pub Date: Sept. 1, 2010
ISBN: 978-0-7582-5408-5
Page Count: 352
Publisher: Kensington
Review Posted Online: July 15, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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