There are too many points in the book that stretch the plot and characters from beyond believable to just plain silly.
A Southern beekeeper moves to Manhattan and causes quite a buzz in a honey-coated, hard-to-swallow romance.
Self-exiled Sugar Wallace flits from one location to the next with her bees, a blue ceramic birdbath and two gardenias in tow, but she only alights long enough to help others heal from their emotional and physical ills. But Sugar doesn’t choose each new place at random: Her queen bee, Elizabeth the Sixth, crawls around on a map and designates the next stop. Sugar’s move to NYC begins with an almost calamitous collision on her new street, but the two men involved, attractive Scotsman Theo Fitzgerald and elderly George Wainwright, are fine. When she reaches out to ensure they’re OK, Sugar’s drawn to Theo like a bee to honey, which disconcerts her. Betty (Sugar’s pet name for Elizabeth the Sixth), too, feels something and finally realizes she has more purpose in life than just being a queen bee and reproducing. Sugar settles into her new apartment building, sets up her beekeeping on the roof, and, searching for a cup of (what else?) sugar, meets her unhappy neighbors: the single-mother owner of a failing balloon shop, an anorexic girl who collects wedding announcements, an older man whose only joy is his flat-screen TV, a woman who complains about everyone, and a shy, plump baker. Sugar spreads her honey-laden products among her fellow tenants, invites them to her place and gently sticks her nose into their beeswax. She also has long soul-searching conversations with George (who becomes the building’s volunteer doorman, thanks to Sugar) and runs into Theo at the local Greenmarket. Although Theo pursues Sugar, every meeting results in some stinging misunderstanding, which sends Sugar fleeing in the opposite direction. When Sugar finally tells George what’s bothering her, Betty and her worker bees swarm into action, and Sugar learns things about her neighbors she never suspected. Southerners might not take too kindly to the bizarre portrait Lynch (Dolci di Love, 2011, etc.) has painted of Sugar and her bees as the story moves beyond stereotypical—unsophisticated Sugar always wears ribbons in her hair, concocts honeyed cure-alls for every ailment and drips with starry-eyed optimism—to farcical—Betty schemes to unite Sugar and Theo by leading the swarm back and forth between Sugar’s rooftop and Theo’s as Sugar gives chase.
There are too many points in the book that stretch the plot and characters from beyond believable to just plain silly.Pub Date: Jan. 28, 2014
ISBN: 978-0-06-225260-9
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 25, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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