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MOTHER IS A VERB

AN UNCONVENTIONAL HISTORY

A fresh, lively narrative of personal and historical memory.

An exploration of mothering, a capacious, complex, and creative experience.

Historian and mother of two, Knott (History/Indiana Univ.; Sensibility and the American Revolution, 2009) grounds her illuminating investigation in her own experience of pregnancy, delivery, and infant care. Drawing on a prodigious number of histories and archival sources, she teases out anecdotes and testimony from “slim shards of evidence,” sometimes “a single remark in a published diary, a stray sentence or two in government-sponsored interviews with formerly enslaved men and women, a handful of letters in manuscript, a seventeenth-century church court record.” Evidence is especially slim for enslaved or working-class mothers who were illiterate or those, such as Native Americans, who conveyed their experiences orally, but Knott has managed to include their voices—along with gay and trans parents—as much as possible as she examines assumptions about conception, how and when pregnancy was determined, and responses to miscarriage, such as hers, which left her fearful of infertility. Pregnant again, perceiving her baby’s “inner touch” inspired her search for historical mentions of quickening among 17th-century noblewomen and contemporaneous field slaves on Southern plantations. As her pregnancy progressed, she thought about terms for heavily pregnant women, ranging from “great-bellied” in the 16th and 17th centuries to “sticky-sweet euphemisms” of 19th-century working-class slang: “in the pudding club” or having “a bun in the oven.” After her son was born, Knott faced the “humiliation and excess” of nursing. From the mid-18th century and throughout the 19th, she discovered, “whose breast? remained the central concern about holding and feeding” until “sentimentalism” ushered in “a new way of venerating motherhood in popular culture” and made wet nurses obsolete. Interrupted sleep, caring for a colicky infant, and weighing advice from friends, grandmothers, and child raising manuals all propelled Knott into libraries. She wonders about who wrote and actually read how-to books. “Mothering,” she realizes, “is tangible, sensory, and material”; “it unfolds at first hand. Babies are never pure thought experiments.”

A fresh, lively narrative of personal and historical memory.

Pub Date: April 2, 2019

ISBN: 978-0-374-21358-9

Page Count: 320

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: Jan. 5, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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