An innovative peek into the many small moments that led up to the American Revolution.
Follow along as Paul Revere embarks on his famous ride.
On the afternoon of April 18, 1775, a stable boy takes off “like speed is his soul / and wind is an enemy / he can defeat.” He’s running to inform Paul Revere that British soldiers are on the march. An unnamed witness confirms the news: “Yes. / It’s true. / It’s time. / It’s now.” Revere sends two friends up a ladder to flash a message from the steeple. Two more friends help him row beneath the moon to a Charlestown dock. There, Revere finds Brown Beauty—a horse loaned by his friend John Larkin—and sets off to spread the news. Meanwhile, the British cross the Charles River and eventually catch Revere. In the dawn light, a Lexington teen plays a tune of hope and courage, something “all of us can hold.” Thomson and Henderson’s unique collaboration fractures a historical moment usually attributed to one person into a broader variety of sixteen characters. Henderson’s textured illustrations beautifully evoke the low light of the evening ride, while Thomson’s fast-moving verse captures the night’s excitement. Time-stamped and written in first person, each poem begins with a note of historical context, then ends with a quote from a real person. The mixture of imagined dialogue and real facts necessitates further context, but a helpful guide to each voice rounds out the experience.
An innovative peek into the many small moments that led up to the American Revolution. (bibliography, timeline, map) (Informational picture book/poetry. 5-10)Pub Date: March 17, 2026
ISBN: 9781662681387
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: today
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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