An impassioned and bold psychological drama that loses focus.
Chase Ohara, a 17-year-old overachiever, grapples with her ex-girlfriend’s death while battling addiction.
“Meet me in Montauk.” That was the last text Lia Vestiano sent Chase. It was the SOS signal they used whenever they needed to escape Meadowlark, the Long Island town they called home. The two girls shared outsider status in their predominantly White community: Chase is Japanese, Vietnamese, Chinese, and Taiwanese, while adopted Lia described herself as “ethnically Korean, culturally Italian.” But now Lia is gone. The novel flashes back as Chase tries to piece together the facts: Did their breakup tear Lia apart? Did parental pressure push her over the edge? Was it an accident, or did she die by suicide? Chase teams up with Hunter van Leeuwen, Lia’s new White girlfriend, for answers. An unreliable narrator, Chase’s dependence on fictional drug Focentra—like Adderall, but stronger—distorts her grasp of reality. Overcome by guilt over their breakup and jealousy of Hunter, she tries to make sense of what happened. Muddling through college admissions, Chase wrestles with the mental strain of relentlessly seeking money, power, and status in her affluent community where students stoop to underhanded means of ensuring success. Unable to make space for grief, Chase emotionally unravels. Though this mind-bending novel features skillful character development, the tone shift from tragic romance to school cheating ring scandal is jarring, undermining the cohesiveness of the whole.
An impassioned and bold psychological drama that loses focus. (resources) (Thriller. 14-18)Pub Date: March 14, 2023
ISBN: 978-1-5344-6515-2
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
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