Ruhl’s musings may remind readers of Lydia Davis’ aphoristic short stories: fresh, piquant and slyly irreverent.
An acclaimed playwright reflects on her art and craft.
MacArthur Fellow and Pulitzer nominee Ruhl (Drama/Yale Univ.) is a busy mother of three whose work is often interrupted by her children’s needs—for food, say, or “a fake knife to cut…fake fruit.” Instead of writing “something totalizing, something grand,” she has collected some thoughts on theater: writing plays, acting, watching productions and dealing with “Other People: Directors, Designers, Dramaturgs, and Children.” Though she claims that she knows “next to nothing,” she notes that theater is not “about knowing, or putting forward a thesis,” but about “making knowledge” from the prismatic perspectives of a few characters. Ruhl’s essays, generally a page or two, sometimes are much briefer. In “An essay in praise of smallness,” she writes, simply, “I admire minimalism.” In an essay entitled “Is there an objective standard of taste?” she responds, “No.” Several essays consider the power of language. “In the world of imaginary things, speech acts are everywhere,” she writes. “One declares the imaginary world into being.” For Ruhl, theater depends on physicality rather than psychological analysis. Future playwrights, she maintains, would do well to study juggling rather than literary theory. “Words like ‘liminal’ and words like ‘unpack’ should go in essays about theater and get banished from rehearsal rooms,” she writes. “Actors used to be akin to prostitutes in the public mind. Now we are akin to professors.” The author laments the lack of freedom for a playwright to fail, caused in part by subscription audiences who may “feel that by subscribing, they have been inoculated against failure” and in part by the cost of mounting plays. She also laments the “whitewashed” stage: Casts are predominantly white, unless a playwright specifically calls for a nonwhite actor in a particular role.
Ruhl’s musings may remind readers of Lydia Davis’ aphoristic short stories: fresh, piquant and slyly irreverent.Pub Date: Sept. 2, 2014
ISBN: 978-0-86547-814-5
Page Count: 240
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
A slow poke through Montana by Conrad (former editor of Horizons), a guy who likes a side dish of bile to accompany his travels. Conrad hits the road in the Big Sky State to take in the scenery and dig up a little family history. The family side of the story comes and goes—both grandfathers moved to the territory back in the late 1800s—with Conrad trying valiantly to paint them as fascinating characters. They're not, even with murder, mayhem, and adultery thrown in. Nor does Conrad succeed as an artful recorder of today's Montana. He can't help trotting out the obligatory Montaniana—barroom fisticuffs, brushes with Mr. Griz, trouty days, whiskey nights—while historical context comes in spurts from the ``Billings was named after Frederick Billings, an executive of the...'' school of background information. He mooches around with a fine disregard for the consequences, a little piece of bravery much to his credit. Most folks Conrad runs into are either forlorn, bitter, drunk, or just plain ready to brawl—bump into someone and get your lights punched out, mention the wrong name and get your lights punched out, offer an ill-timed comment and get your lights punched out. Then again, maybe he just spent too much time in bars. There is a wealth of detail in theses pages, some of it captivating, from ghoulish doings in Great Falls to the virtues of buffalo meat to tensions over wolf reintroduction to the quick portraits of the folks he crosses paths with, but little, if any, continuity. One item is cobbled to another, a pastiche from which an image of Montana never emerges. Don't expect to learn why they call this land the Last Great Place; even as a miscellany, Conrad's sidelong glimpse of Montana never conjures much excitement. (Photos, not seen)
Pub Date: Oct. 1, 1994
ISBN: 0-06-258551-7
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco...
Popular novelist (The Name of the Rose, 1983; Foucault's Pendulum, 1989) and notorious semiologist (at the Univ. of Bologna) Eco shows himself to be a journalist as well with this generally diverting volume of short pieces.
Eco calls these short essays diario minimo—minimal diaries—after the magazine column where he first published a series of such efforts (previously collected in Misreadings). The work presented here, much of which dates from the late '80s and early '90s, celebrates, or more often condemns, postmodern life in a style familiar to American readers. Occasional parodic fantasies in the mode of Borges or Calvino find Eco exploring the intriguing, if absurd, notion of a map in 1:1 scale, chronicling race relations in a future universe populated by humorously bizarre alien life-forms, or describing watches whose features cause one to lose track of the time. But Eco focuses on articulating his amusing complaints, analyzing our quotidian myths with light touches and lamentations that will recall Andy Rooney and Erma Bombeck—at best, an academic Mike Royko—sooner than Roland Barthes. Pieces on once-current events have been carefully excluded, but most of these essays remain essentially journalistic in their devotion to exploring contemporary life. The title piece pits Eco against an English hotel bureaucracy intent on making it difficult for him to refrigerate an expensive salmon that he has brought from Copenhagen; others mock "how-to'' essays—on fax machines and cellular telephones, for example; there are cautionary tales of encounters with Amtrak trains and Roman cabs. All have as their subtext the chaos brought in the wake of unbridled technological innovation and intercontinental travel.
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco entertains with his clever reflections and with his unique persona, the featured player in his stories.Pub Date: Oct. 1, 1994
ISBN: 0-15-100136-7
Page Count: 208
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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