A captivating celebration of life and love.
A Yale professor and her playwriting student forge an extraordinary friendship.
In a tender, intimate memoir, award-winning playwright Ruhl (100 Essays I Don’t Have Time to Write, 2014, etc.) honors the life and remarkable mind of Max Ritvo (Four Reincarnations: Poems, 2016, etc.), a poet of exceptional grace and insight who died in 2016 at the age of 25. When Ritvo walked into Ruhl’s classroom in 2012, he seemed markedly more mature than her other students: “Some rarefied combination of a young Mike Nichols and an old John Keats, he seemed eighty years old and not of this century.” In remission from a rare cancer that had been diagnosed when he was in high school, Ritvo soon wrote to Ruhl that the cancer had returned. In the next four years, he underwent multiple surgeries, chemotherapy, experimental treatments, and radiation, all the while graduating from Yale, completing an MFA program at Columbia, marrying, giving exuberant poetry readings, and publishing his work to great acclaim. Wracked by suffering, facing death, and immersed in writing, Ritvo deepened his friendship with Ruhl, reflected in the letters, emails, and poems that they shared and which Ruhl has selected for this deeply moving, often heartbreaking volume. It is testimony both to the evolution of their friendship and to a wise and passionate young man. “Max,” writes the author, “had a wild gift of eloquence; he married this gift with his singular gift for listening.” A year into their relationship, the two decided to write letters “in a more self-conscious way,” hoping to collect them into a book. Thoughts about spirit, God, identity, the meaning of an afterlife, and, especially, grief, recur as Max moved closer to death. “I do believe consciousness persists,” Ruhl wrote to Max; something of the soul “travels and arrives somewhere.” Suffering from “overwhelming bodily discomfort,” Max admits, he could use a God who would “maybe start to care enough to intervene.” Maybe, he adds later, “my grief and your inspired calm are part of a greater consciousness.”
A captivating celebration of life and love.Pub Date: Sept. 11, 2018
ISBN: 978-1-57131-369-0
Page Count: 336
Publisher: Milkweed
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
The acclaimed author of My Own Country (1996) turns his gaze inward to a pair of crises that hit even closer to home than the AIDS epidemic of which he wrote previously. Verghese took a teaching position at Texas Tech’s medical school, and it’s his arrival in the unfamiliar city of El Paso that triggers the events of his second book (parts of which appeared in the New Yorker). His marriage, already on the rocks in My Own Country, has collapsed utterly and the couple agree to a separation. In a new job in a new city, he finds himself more alone than he has ever been. But he becomes acquainted with a charming fourth-year student on his rotation, David, a former professional tennis player from Australia. Verghese, an ardent amateur himself, begins to play regularly with David and the two become close friends, indeed deeply dependent on each other. Gradually, the younger man begins to confide in his teacher and friend. David has a secret, known to most of the other students and staff at the teaching hospital but not to the recently arrived Verghese; he is a recovering drug addict whose presence at Tech is only possible if he maintains a rigorous schedule of AA meetings and urine tests. When David relapses and his life begins to spiral out of control, Verghese finds himself drawn into the young man’s troubles. As in his previous book, Verghese distinguishes himself by virtue not only of tremendous writing skill—he has a talented diagnostician’s observant eye and a gift for description—but also by his great humanity and humility. Verghese manages to recount the story of the failure of his marriage without recriminations and with a remarkable evenhandedness. Likewise, he tells David’s story honestly and movingly. Although it runs down a little in the last 50 pages or so, this is a compulsively readable and painful book, a work of compassion and intelligence.
Pub Date: Sept. 1, 1998
ISBN: 0-06-017405-6
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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