A captivating celebration of life and love.
A Yale professor and her playwriting student forge an extraordinary friendship.
In a tender, intimate memoir, award-winning playwright Ruhl (100 Essays I Don’t Have Time to Write, 2014, etc.) honors the life and remarkable mind of Max Ritvo (Four Reincarnations: Poems, 2016, etc.), a poet of exceptional grace and insight who died in 2016 at the age of 25. When Ritvo walked into Ruhl’s classroom in 2012, he seemed markedly more mature than her other students: “Some rarefied combination of a young Mike Nichols and an old John Keats, he seemed eighty years old and not of this century.” In remission from a rare cancer that had been diagnosed when he was in high school, Ritvo soon wrote to Ruhl that the cancer had returned. In the next four years, he underwent multiple surgeries, chemotherapy, experimental treatments, and radiation, all the while graduating from Yale, completing an MFA program at Columbia, marrying, giving exuberant poetry readings, and publishing his work to great acclaim. Wracked by suffering, facing death, and immersed in writing, Ritvo deepened his friendship with Ruhl, reflected in the letters, emails, and poems that they shared and which Ruhl has selected for this deeply moving, often heartbreaking volume. It is testimony both to the evolution of their friendship and to a wise and passionate young man. “Max,” writes the author, “had a wild gift of eloquence; he married this gift with his singular gift for listening.” A year into their relationship, the two decided to write letters “in a more self-conscious way,” hoping to collect them into a book. Thoughts about spirit, God, identity, the meaning of an afterlife, and, especially, grief, recur as Max moved closer to death. “I do believe consciousness persists,” Ruhl wrote to Max; something of the soul “travels and arrives somewhere.” Suffering from “overwhelming bodily discomfort,” Max admits, he could use a God who would “maybe start to care enough to intervene.” Maybe, he adds later, “my grief and your inspired calm are part of a greater consciousness.”
A captivating celebration of life and love.Pub Date: Sept. 11, 2018
ISBN: 978-1-57131-369-0
Page Count: 336
Publisher: Milkweed
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
A bold rallying cry that should help in the continuing fight for LGBTQ rights. Read alongside Baumann’s Love and Resistance...
A showcase of the work of activists and participants in the Stonewall uprising, published to coincide with the 50th anniversary.
With his discerning selections, editor Baumann (editor: Love and Resistance: Out of the Closet into the Stonewall Era, 2019, etc.)—assistant director for collection development for the New York Public Library and coordinator of the library’s LGBT Initiative—provides a street-level view of the Stonewall uprising, which helped launch the LGBTQ rights movement in the United States. Through his skillful curation, he offers a corrective for what is too often a sanitized, homogenous, and whitewashed portrayal of academics and professionals about the event sometimes termed “the hairpin drop heard around the world.” By gathering vibrant and varied experiences of diverse contributors, the collection reflects the economic, gender, racial, and ethnic complexity of the LGBTQ community at a time when behaviors such as same-sex dancing were criminalized. Featuring essays, interviews, personal accounts, and news articles, Baumann’s archival project accurately and meticulously captures an era of social unrest; the conversation about institutional discrimination and inequality presented here remains as revolutionary today as it did 50 years ago. The anthology invites us to look closely at the unresolved social dynamics of a population defined by its diversity, confronting sexism, racism, classism, and internalized homophobia alongside a broad view of institutional discrimination, heteronormativity, and sexual repression. Voices of significant leaders sit beside stories from participants behind protest lines, police raids, and street harassment, and the mounting frustration with an oppressive status quo becomes palpable on every page. The first-person narratives collected here effectively spotlight the social inequalities surrounding the LGBTQ community, many of which persist today.
A bold rallying cry that should help in the continuing fight for LGBTQ rights. Read alongside Baumann’s Love and Resistance and Marc Stein’s The Stonewall Riots: A Documentary History for a full education on the events before, during, and after Stonewall.Pub Date: April 30, 2019
ISBN: 978-0-14-313351-3
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 13, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.
Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.
O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.Pub Date: Oct. 14, 2019
ISBN: 978-0-618-03970-8
Page Count: 384
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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