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HOW THE BUILT ENVIRONMENT SHAPES OUR LIVES

An eye-opening look at the ways in which carefully planned and executed design and architecture can expand cognitive...

A look at how new research in urban space, the built environment, and city planning stresses the importance of well-designed architecture for the betterment of society.

No art form has a more profound and lasting affect on the public than architecture. As the most widespread and practical artistic medium, architecture is experienced by virtually everyone no matter their location or background, yet there is often little consideration, not least among the public, about how the built environment shapes human experience. For Goldhagen, architecture critic and former professor at Harvard University’s Graduate School of Design, this is a critical oversight. As the author points out, new research in cognitive science proves that human interaction with the built environment profoundly affects our ability to understand ourselves and others, particularly how place and memory are connected and how environments shape our understanding of memory and the past. Therefore, the need for thoughtful, human-centered design is an essential component to social progress and the betterment of humanity. But, good design does not simply imply access to resources and wealth. As Goldhagen points out, from a design perspective, there is not much separating a slum dwelling from a McMansion. Richly illustrated with photography supporting Goldhagen’s examples, which range from classical architecture such as the Parthenon to contemporary stadium design, her analysis is practical and accessible, synthesizing scientific research with architectural theory about space and design. Focusing on how the built environment shapes social relations, both public and private, Goldhagen discusses how views of nature and natural elements are essential to good design, as well as breaking down how variable surface types affect human perceptions, among other topics. At times dense and verging on academic, Goldhagen has provided a valuable compendium to design analysis and the benefits of progress in contemporary design.  

An eye-opening look at the ways in which carefully planned and executed design and architecture can expand cognitive faculties and improve daily life.

Pub Date: April 11, 2017

ISBN: 978-0-06-195780-2

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: March 12, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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