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GROWN WOMEN

A vivid line of women inches toward a place where it isn’t always the mother’s fault.

Four generations of Black American women navigate the peril and love of the mother-daughter bond.

This absorbing debut begins in a Tennessee delivery room and ends with a funeral. At the start, a teenage mother, recently fled from a posh Atlanta home, watches her newborn wail but doesn’t comfort her. “‘It will get easier,’ the nurse said, but Charlotte knew that it wouldn’t.” Already cynical, Charlotte isn’t wrong—she has a cocaine habit by page 10—but she isn’t completely right, either. The story takes a lively tour of the complexities of family and most especially the sins of Charlotte’s mother, a frosty academic, Dr. Evelyn Gwendolyn Jackson. She makes her first appearance in the life of her unaware granddaughter, Corrina, as a TV talking head. Charlotte drinks, fights, dwells in poverty, ever determined to bury the tie. But when Corrina, still in high school, gives birth to her own daughter, Camille, the baby represents a chance to do better for three generations of tough, traumatized women. This is not a subtle book—“Corinna’s shoulders dropped so heavily with relief that Charlotte thought her arms might dislocate and fall right to the floor”—but it moves briskly. It is wise to class markers and human contradiction. The women are awash in alcohol, but function; pummeled by violence, but still rise. The men are peripheral, and more surprisingly, so is church. Called to restart yet again, Charlotte reflects, “That’s something people liked to say. ‘We owe it to our ancestors.’ But perhaps she owed it just as much, if not more, to her descendants.”

A vivid line of women inches toward a place where it isn’t always the mother’s fault.

Pub Date: July 9, 2024

ISBN: 9780063294431

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: April 19, 2024

Kirkus Reviews Issue: May 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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