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ROSEWOOD

A MIDSUMMER MEET CUTE

Rollicking, romantic, and relevant fun.

The works of Jane Austen and William Shakespeare blend well in this contemporary love story starring two Bengali American teens.

Eila and Mallika Das share traits with Elinor and Marianne Dashwood, respectively, from Jane Austen’s Sense and Sensibility: Responsible Eila plans to put aside her love for Shakespeare and acting to pursue law, a more sensible career path; vivacious, bisexual Mallika is emotionally driven and enjoys watching titillating Regency-era romances. Eila is devastated to learn that her beloved Shakespeare summer academy has been canceled and replaced by a Regency camp set up by the producers of Rosewood, a television show Mallika describes as “Bridgerton meets Murder, She Wrote.” Not only that, but Mallika has submitted applications on behalf of them both to attend the camp for opportunities to be cast as minor characters in the show’s second season. Though she’s reluctant, Eila agrees to go, hoping to feel carefree again, like she was before their father died. After Eila encounters rakish camper Rahul Lee, “a somewhat good Bangladeshi Chinese Singaporean British boy” who matches her in wit and appreciation for theater and literature, she explores the intricacies of the heart—much to her head’s apprehension. DasGupta immerses readers in a Regency experience, providing information regarding attire, etiquette, and history between chapters, and actively promotes inclusivity through the diversity of the characters, who challenge casting norms.

Rollicking, romantic, and relevant fun. (author’s note) (Fiction. 13-18)

Pub Date: March 7, 2023

ISBN: 9781338797725

Page Count: 320

Publisher: Scholastic

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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