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EVERYONE A BELL

POEMS

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

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With profound insight, Merrow’s poetry explores people and places.

In this free-verse poetry, Merrow serves as an astute observer and documentarian of life. Be it a 100th birthday party, a grandmother’s Christmas visit, newlyweds moving to California, or unpacking Civil War–era china, she honors the poignant details of existence. “Graffiti Free” reminisces about an untethered period of life when the subject was free to do what she pleased. Merrow often explores the power of nature, such as the ability of an eclipse to awe people from all walks of life: “We yearn for the eclipse, / something new—a corona, / flares to rekindle hope, banana- / shaped visions, another decade.” Merrow experiments with form in “Camp Skit in Five Parts, Wherein a White Woman Plays Dead To See Where It Gets Her.” In “Craving,” she ponders what it would be like to live in another’s skin, ultimately deeming even that act of magic insufficient to understand someone else’s life. She concludes with a meditative poem that erases the division between humans and the natural world: “we are, / after all, made of the same stuff — / earth, water, sky, with nowhere to go.” Merrow makes music out of the ordinary with phrases like a “handsome nest” of hair, “the usual crawl of cars,” the “siren-flamed sunshine,” or a heron on “dripping stilts.” Something as simple as morning conversation turns undeniably sensual under Merrow’s gaze: “Mornings in bed talk is an ocean, / its swells and troughs the waters of life.” The poems are brief but powerful. There are no wasted words here, and each poem’s conclusion feels like watching an Olympic athlete execute a perfect dive. But Merrow occasionally cuts off too soon, abandoning the reader just as they immersed themselves in the scene she created. While the reader vividly sees the world through her eyes, the speaker herself remains somewhat shrouded.

An exquisite, evocative collection that delves into the beauty, mystery, and curiosities of life.

Pub Date: Feb. 23, 2020

ISBN: 978-1-950462-71-1

Page Count: 78

Publisher: Kelsay Books

Review Posted Online: Feb. 25, 2021

Kirkus Reviews Issue: April 15, 2021

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  • New York Times Bestseller

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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  • IndieBound Bestseller

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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