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THE SLEEPWALKERS

Another difficult-to-classify novel from a seemingly fearless writer.

The author of Oligarchy (2020) and The Seed Collectors (2016) writes something like a thriller.

The epistolary novel is kind of a tough sell these days. Writing a narrative in letters might have given Samuel Richardson license to let his characters speak in candid, informal ways that were otherwise inaccessible, but his innovations are so much a part of Anglophone literature now that his runaway bestsellers Pamela and Clarissa mostly persist as punishment for English majors. That said, Thomas is nothing if not adventurous. In her latest novel, she dares to ask the reader for willing suspension of disbelief as she composes a novel from lengthy confessions written by a husband and a wife—with a few other documents tossed into the mix. Evelyn and Richard are honeymooning at a Greek resort that is famous both for its exclusivity and for the fact that it was the last stop for a couple that drowned together in the sea—the sleepwalkers of the title. The narrative begins in a letter Evelyn is writing to Richard, and two things are immediately clear: She and her new husband lightly despise each other, and isolated Villa Rosa is a strange and possibly dangerous place. Fans of Gothic literature are likely to settle in comfortably right away. For other readers, Evelyn’s voice should be compelling enough to let them forget that they’re reading a letter—a very long letter, crafted by hand, during one night—and immerse themselves in the story that Evelyn is telling. Thomas also lets Richard have his say, his account serving as a counterpoint to Evelyn’s. This is a novel about secrets, family curses, and the past erupting into the present: all gothic tropes. But Thomas’ concerns extend beyond her main characters; refugees, sex workers, and victims of human trafficking exist in the background and sometimes emerge as full characters.

Another difficult-to-classify novel from a seemingly fearless writer.

Pub Date: April 9, 2024

ISBN: 9781668032985

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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