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THOSE WE CARRY

An authentic story of love and war vividly detailed.

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Saxberg’s historical novel explores love and redemption against the backdrop of the European Theater in WWII.

The leads are the Canadian Ardagh “Harp” Cadieu and the Dutch woman Jacoba “Koos” van den Berg. Ardagh is from Northern Ontario, on Lake Superior, and he has suffered two tragic events in his young life—events where people died—and he carries that burden. In fact, that’s the main reason he enlists in the Canadian army. He hopes to escape his little town and to somehow assuage his guilt and cleanse his soul. When we meet 15-year-old Koos, it’s early in the war. Her small Dutch town will soon be occupied by the Nazis, and she’s chafing under her parents’ protective concern for her. When the Germans come, she joins the resistance in a dangerous balancing act, even leading on a young Nazi lieutenant and falling half in love with him after having had a crush on a neighbor boy who joins the Dutch SS. Meanwhile, Ardagh is training—endlessly, it seems—in England. He does get smuggled aboard his brother Hank’s Lancaster bomber and gets a taste of war. Landing in Normandy in ’44, he and his company fight their way across northern Europe and eventually liberate the small town where Koos lives. And, of course, these two young people, so often disappointed and frustrated, fall deeply in love. Will they find happiness? Will Koos become a war bride, starting a new life with her husband in Canada? And will Ardagh finally exorcise his guilt and gain the confidence he desperately needs?

This is a historical novel but not quite like the usual ones where fictional characters live their lives in the shadow of real history—and the major figures of the times appear in cameo roles. In fact, there are no “major” figures here at all. Instead, Saxberg has based the story on the tales of WWII and the Lake Superior Regiment that he grew up hearing about, specifically through the stories of his three great uncles, Ardagh, Gerald, and Wilf. So, thanks to a complete annotated list of characters at the back of the book, we learn that Harp, Hank, and Koos (and others), were, in fact, real people who figured in Saxberg family stories. Some characters were purely fictional, and others were inspired by real people or were even composites. And Saxberg confesses to also manipulating and rearranging the personal stories. It’s a look into how such a book is put together and a very clever mishmash; and incidentally, it’s a wonderful tribute to real enlistees: farmers, fishers, tradespeople, laborers, who signed up when needed, some of whom gave their lives. As one character says, “Every death was etched in the background of each success.” Saxberg’s theme is that we should carry with us the memories of our loved ones and that those memories somehow keep them alive. Not a novel idea, but one worth being reminded of from time to time. There are also helpful maps of battle sites.

An authentic story of love and war vividly detailed.

Pub Date: Sept. 6, 2024

ISBN: 9781068915406

Page Count: 324

Publisher: Reimagined Press

Review Posted Online: Aug. 15, 2024

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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