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KARL MARX AND THE LOST CALIFORNIA MANIFESTO

A thoughtful and funny historical romp featuring a fascinatingly sympathetic Marx.

Awards & Accolades

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  • Our Verdict
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Carlson’s novel chronicles the unlikely adventures of Karl Marx in the American West.

As the story opens, famed political philosopher Karl Marx is aboard a ship on his way to the New World. He’s fleeing a crowd of creditors, and he’s hoping for more in America than just an escape: “If the reports about the gold in California are only half true,” he writes in a letter to his wife, “I am confident I will be coming home to you and the girls as a new man, able to pay our debts and erase the shame of poverty.” Marx’s landfall is less pleasant than he had hoped; he gets mocked, tossed overboard, and stuck in deep river mud, and he’s being followed by Prussian agents of King Frederick William IV who are intent upon rifling through his papers in search of his notorious Manifesto and amusingly relay the great man’s misadventures (“We have seen nearly every day,” they breathlessly report, “how Marx drinks the local rotgut whiskey to the point of extreme gesloshment”). Marx is befriended by a teenager named Sixto, another renegade running from his past, and the two commence a series of escapades against the backdrop of 1849 California and the madness of the Gold Rush. “It seemed like half the human race was hellbent on striking it rich,” thinks Sixto, not yet aware of the crushing irony of this observation in the company of the author of The Communist Manifesto. As Carlson expertly guides his narrative to the possibility of a socialist republic in Gold Rush California, he misses no opportunities for sly humor or surprisingly touching scenes between Marx and young Sixto. The book’s irresistible comedy is reinforced by all of the letters Carlson includes from the people who are disappointed in poor, harried Marx, including his partner, Engels, and his wife, Jenny (“Don’t bother to defend the indefensible,” she writes to him. “Our marriage is, as you might put it, a dialectical wreck”).

A thoughtful and funny historical romp featuring a fascinatingly sympathetic Marx.

Pub Date: Oct. 6, 2025

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Sept. 1, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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