Author of an acclaimed biography of Ernst Lubitsch (1991) and a well-regarded history of the coming of the talkies (The Speed of Sound, 1996), Eyman takes on an even bigger piece of film history: the career of John Ford. Ford was not merely a man of contradictions—a voracious reader and a student of literature and American history who disdained intellectuals, a gruff personal reactionary who was a lifelong liberal Democrat, a cinematic poet of family unity who was a terrible parent—he was an out-and-out enigma, even to those closest to him. As Eyman notes early in this lengthy book, “The point was to never let anybody know who the real John Ford was.” To that end, Ford left a genial legacy of lies, half-truths, and fantasies he spun for interviewers and would-be biographers. One of the greatest strengths of this excellent book is that Eyman finally unravels the skeins of legend to reveal the truth about Ford’s background. Legend: Ford went to the University of Maine on a football scholarship. Fact: Ford never went to college after graduating from Portland High. Legend: Ford stumbled unwittingly into the movie business. Fact: Ford came out to Hollywood to join his older brother Francis, already a silent-film star and director, and was eager to break into the film industry. Legend: Ford did all his cutting in the camera, shooting only the footage he needed to make a scene. Fact: almost true, but Ford did shoot “coverage” (alternate camera angles of a scene to be used in the editing process) on occasion. Eyman has drawn on Ford’s personal papers, his letters and notebooks, and hundreds of interviews to create the most balanced and complete portrait yet of the director of The Searchers, The Grapes of Wrath, and The Man Who Shot Liberty Valance. Although at times inelegantly written, this is as definitive a biography as we are likely to get of one of America’s greatest filmmakers. (b&w photos)
Pub Date: Nov. 1, 1999
ISBN: 0-684-81161-8
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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