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ADRIFT

AMERICA IN 100 CHARTS

A dispiriting though deeply meaningful tour of bad-news numbers that mark a frightful national decline.

We have captains aplenty and loads of technology—and yet, writes entrepreneur and NYU marketing professor Galloway, the ship of state is lost at sea.

A little of the “adrift” metaphor goes a long way, but the author makes good points. For example, we all have powerful computers in our pockets, yet we fail to forge connections that advance the interests of the commonwealth. Moreover, although Galloway is intent on proving his thesis with meaningful numbers, we don’t seem to be capable of fixing major problems: the fact, for instance, that in 1966, “the U.S. committed 2.5% of its potential GDP to infrastructure development,” whereas today the number is 1.3%. Furthermore, “about 1 in every 5 U.S. roads is in poor condition. Forty-five percent of Americans do not have access to public transit. A water main break occurs every two minutes.” Meanwhile, the number of workers in the financial sector who populate the ranks of the ultrawealthy has doubled in the past four decades, and most of them know how to skirt tax laws. Corporate profits are more than double the percentage of employee compensation, while Jeff Bezos’ and Elon Musk’s space adventures occupy far more eyeballs on the TV news than the far more significant climate crisis. Everywhere the reader turns in Galloway’s book, there’s frightening news that promises to grow worse. In a supremely timely turn, for instance, he links mass murder—“a uniquely male crime” committed by “bored young men without any pathway to economic security”—to the general hopelessness of the era. Marriage rates are down, education for minority citizens lags far behind that for Whites, inequality grows, and wages continue to fall. All the points made by the author’s tables and graphs—“visuals that strike a chord and inspire action”—point to a maddeningly visible but unacted-on dissolution of the republic.

A dispiriting though deeply meaningful tour of bad-news numbers that mark a frightful national decline.

Pub Date: Sept. 20, 2022

ISBN: 978-0-593-54240-8

Page Count: 256

Publisher: Portfolio

Review Posted Online: June 15, 2022

Kirkus Reviews Issue: July 15, 2022

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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