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BECOMING RICHARD PRYOR

Better written and more thoughtful than David and Joe Henry’s Furious Cool (2013). The latter remains worth reading, but...

Smart blend of social history and biography centering on one of the funniest—and most tragic—people of our time.

By Saul’s (English/Univ. of California; Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties, 2003) account, Richard Pryor (1940-2005) wrestled out the demons of physical abuse, racism and addiction on a stage that at first wasn’t quite sure what to do with him. That effort produced some strange results. One of the more interesting detours in this already digressive narrative follows the course of the autobiographical film This Can’t Be Happening to Me, a look at Pryor’s childhood in a brothel; the film started as a broad comedy, then became serious, then took on the coloring of a “tripped-out imagination that made [the film] cousin to a midnight movie like El Topo.” As Saul observes, it helped that Pryor and the family that so often figured in his comedy were “powerfully dramatic people,” thus it was natural that Pryor should so readily bend genres to insert seriousness in funny situations and comedy into grave discussions. Saul’s psychobiographical essays are illuminating, as when he writes of a young Pryor discovering that white girls were more receptive to him than were white boys. Race is a driving theme throughout, and Saul closes on a note that is both hopeful and resigned. Asked whether he viewed the world in terms of black and white, Pryor said, “I see people…as the nucleus of a great idea that hasn’t come to be yet.” Saul is sometimes guilty of forced analogies, as when he finds an echo of the resignation of Richard Nixon, whom a Republican senator compared to “a piano player in a whorehouse who claims not to know what’s going on upstairs,” in Pryor’s own time in the house of bawd. Still, this is a well-executed study that gives Pryor due credit as pioneer, intellectual and artist.

Better written and more thoughtful than David and Joe Henry’s Furious Cool (2013). The latter remains worth reading, but this book is the place to start.

Pub Date: Dec. 9, 2014

ISBN: 978-0062123305

Page Count: 592

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 19, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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