A revolution in Istanbul behind them, Alek and Deryn travel wherever the living airship Leviathan is ordered by the British...
The Leviathan trilogy-ender delivers on the promise of the series: thrilling airship battles, world travel, ginormous Tesla coils and a few daring smooches.
A revolution in Istanbul behind them, Alek and Deryn travel wherever the living airship Leviathan is ordered by the British Empire. Deryn knows Alek’s secret—that he is heir to the Austro-Hungarian Empire—but Alek doesn't know that Deryn is truly a girl. They don't have much time to spare for their own personal soap opera as they freewheel around war-torn continents, from Siberia to Japan to the United States to Mexico. Alek and Deryn escape ravenous fighting bears tall as houses, ride atop a gale-tossed airship and star in motion pictures. The whole is peppered with sagacious statements from the tragically underused Perspicacious Lorises, faux-simple creatures always ready to spout off a wise word or three. This entry is relatively light on the steam-powered clankers and genetically engineered beasties that drove the first two volumes of the trilogy, replacing them with repeated airborne drama. Still, any lost steampunky science is compensated for by nonstop action; it's hard to mind theatrical revelations when they occur in a made-for-CGI storm. Besides, in the midst of all that action Alek learns the art of navigation and how to measure the weight of water; how cool is that?Pub Date: Sept. 20, 2011
ISBN: 978-1-4169-7177-1
Page Count: 432
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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SEEN & HEARD
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...
A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.
Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)Pub Date: Nov. 5, 2019
ISBN: 978-1-4926-9336-9
Page Count: 288
Publisher: Sourcebooks Fire
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
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