Slightly creepy, funny and fun.
A boy receives a stuffed animal that he really doesn’t like—and it’s not hard to see why.
Koala arrives in an exciting, striped gift box, but still, Adam pulls faces and insists, “I don’t like Koala.” His parents don’t understand, but readers will. Koala doesn’t look soft or friendly, and he’s alarmingly mouthless. When Adam wakes up in the morning, Koala’s tiny claws are pressing into Adam’s cheek. It’s too bad that Santoso uses strabismus (in which one eye’s focus doesn’t align with the other’s) to portray the cold, yellow stare of Koala’s “terrible eyes.” Hijacking strabismus, a real-life condition, to indicate danger or symbolize creepiness is a distinctly questionable choice. Otherwise, the tale is hilarious, especially Adam’s (unsuccessful) attempts to banish Koala. At bedtime, “Adam puts Koala away. Away is a lot of different places”—inside a saucepan, atop the fridge, behind a plant and in a purse. Like that fabled cat, Koala always comes back. Even an intentional abandonment trip—over hills, around rocks, among trees—doesn’t work. Meanwhile, clever artwork shows that Adam may not have traveled as far as he claims. Santoso’s sly pencil illustrations, colored digitally in a mostly blue, gray and brown palette, resemble animation with shading and texturizing lines. The end features a twist and a closing line worthy of Sandra Boynton’s But Not the Hippopotamus (1982).
Slightly creepy, funny and fun. (Picture book. 4-7)Pub Date: April 14, 2015
ISBN: 978-1-4814-0068-8
Page Count: 40
Publisher: Atheneum
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yea, Bridget.
The author of Boodil, My Dog (1992) offers another of her offbeat stories.
This one, a shaggy-wolf tale about a milquetoast turned commander-in-chief of a pack of wild carnivores, has just the right measure of topsy-turvy, oddball humor. Bridget is a little fraidy cat: she doesn’t like to pet dogs or jump over mud puddles or muck around with worms. She toes the straight-and-narrow when it comes to the daycare teachers’ directives. Then she goes and gets lost on a field trip into the forest, even though she was doing just what she was told. Next thing you know, she’s deep in the purpling woods of dusk, and sets of yellow eyes are peering at her from behind trees. They turn out to belong to a pack of wolves, but wolves of a different stripe. They truck to Bridget’s every order—don’t ask why, just enjoy watching as she puts them through a series of drills disguised as games, playing catch-the-pine cone (until one of them chokes), climb-the-trees (they’re not too good at getting down), and hospital (they like being scratched behind the ears). They even like her mud-and-blueberry pie, which is just what they need before hitting the hay (after a visit to the “pee trees,” that is). Next morning, they direct her out of the woods and back to her daycare center. Who’d have thought it: wolves, a girl’s best friends. Lindenbaum’s comical, off-center art offers a sight never before seen in American picture books: wolves peeing on trees. And the text offers another rarity: droll and ironic humor for children.
Yea, Bridget. (Picture book. 4-7)Pub Date: Sept. 7, 2001
ISBN: 91-29-65395-9
Page Count: 24
Publisher: R&S/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A familiar story skillfully reimagined for today’s gadget-savvy youth.
Hannah Hadley is a young special agent who must thwart a clear and present danger to the United States in Hoover’s “smart is cool” young adult novel.
Hannah Hadley might seem like most 13-year-old girls. She enjoys painting, playing with her MP3 player and spending time with friends. But that’s where the similarities end. Hadley doubles as Agent 10-1, among the youngest spies drafted into the CIA’s Div Y department. She’s joined in her missions by her 10-pound Shih Tzu, Kiwi (with whom she communicates telepathically), and her best friend Tommie Claire, a blind girl with heightened senses. When duty calls, the group sneaks to a hidden command center located under the floor of Hadley’s art studio. Her current mission, aptly named “Operation Farmer Jones,” takes her to a secluded farmhouse in Canada. There, al-Qaida terrorists have gathered the necessary ingredients for a particularly devastating nuclear warhead that they intend to fire into America. The villains are joined by the Mad Madam of Mayhem, a physicist for hire whom the terrorists force to complete the weapon of mass destruction. With Charlie Higson’s Young James Bond series and the ongoing 39 Clues novellas, covert missions and secret plans are the plots of choice in much of today’s fiction for young readers, and references to the famed 007 stories abound in Hoover’s tale. But while the plot feels familiar, Hoover’s use of modern slang—albeit strained at times—and gadgets such as the iTouch appeal to today’s youth. Placing girls in adult situations has been a mainstay since Mildred Wirt Benson first introduced readers to Nancy Drew in The Secret of the Old Clock, but Hannah Hadley is like Nancy Drew on steroids. Both are athletic, score well in their studies and have a measure of popularity. Hadley, however, displays a genius-level intellect and near superhuman abilities in her efforts to roust the terrorists—handy skills for a young teen spy who just so happens to get the best grades in school.
A familiar story skillfully reimagined for today’s gadget-savvy youth.Pub Date: Nov. 15, 2010
ISBN: 978-0615419688
Page Count: 239
Publisher: N/A
Review Posted Online: Jan. 3, 2011
Kirkus Reviews Issue: March 1, 2011
Review Program: Kirkus Indie
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