Original in its visual and linguistic presentation of behavioral problems, this important call for understanding should sit...
The Snurtch sits in Ruthie’s seat at school, all furry, spiky, goofy, and googly-eyed, waiting—just as she expected.
It hovers, pokes, and pants, orange hair and jagged mouth going every which way, getting the fair-skinned girl all mixed up in its misdeeds and bad behavior. It is “scribbly and scrunchy”; it’s “grabby and burpy and rude.” The other kids recoil. Children whose cheeks flush with quick anger and whose school days are riddled with frustration and regret will empathize deeply with Ruthie’s helplessness at the hands of her Snurtch. And, looking at the Snurtch, which appears as a childlike drawing superimposed over polished, detailed illustrations of Ruthie, her school, and classmates, they might quickly see that Ruthie, in fact, misbehaves, since the Snurtch makes it all but impossible not to. While the Snurtch doesn't appear scary (it looks kind of silly), its perfect embodiment of overwhelming (and instantly regrettable) impulses borders on heart-wrenching. Every student harbors and battles a Snurtch, as readers see with relief on the final pages of this clever, pertinent book, but some have bigger, more monstrous ones than others. Ruthie's dark brow, set mouth, and hooded eyes make clear the weighty burden she carries around like a backpack.
Original in its visual and linguistic presentation of behavioral problems, this important call for understanding should sit on library, classroom, and bedrooms shelves—the high ones, just above a Snurtch's reach . (Picture book. 2-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5656-2
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think.
A cyclical take on life.
Endings can sometimes feel sad or heavy in their finality. But Bender reverses this perspective. In fact, the story starts, as a tiny caterpillar tells readers, with “THE END.” A young tot on a bed closing a book looks puzzled. Bender acknowledges the absurdity. “But wait—how can a book possibly start with the end? That’s ridiculous.” It’s not, once you change your frame of reference. Continuing in a conversational tone, Bender gives examples. Some are personal and immediate: “The end of a disagreement with someone … / is just the beginning of making up.” Others are more abstract: “When you count, the end of one number is just the beginning of the next number… / and so on and so on and so on, all the way to infinity, which, by the way, NEVER ends!” Two friends or perhaps siblings (one with brown skin and brown hair in two Afro puffs, the other with pale skin and straight, black hair) act out the scenarios, which are strung together over the course of a day from one morning to the next. Mayo’s illustrations also dance between concrete and abstract, illustrating disagreement with one kid scowling, sitting back to the other, who looks distressed, next to a ruined sand castle and infinity with an image of the two kids cycling along an enormous infinity sign. In a meta-infused closing, Bender concludes with “THE BEGINNING / (of discovering the next book).” A cleverly placed butterfly flits away. The hazy wash over muted tones gives a warm, cozy embrace to the message. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 48.2% of actual size.)
A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think. (Picture book. 4-7)Pub Date: April 20, 2021
ISBN: 978-1-984896-93-3
Page Count: 40
Publisher: Crown
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Delicious and affirming.
A young boy of Peranakan Chinese descent would love to help Mamah and his aunties cook a feast for Lunar New Year’s Eve, but will they let him?
Jin’s grandmother Mamah is the heart of their home. He is entranced by the wonderful smells coming from her kitchen as she prepares for a big family reunion dinner. Jin’s three aunties ask his sisters to help, but even though none of them are interested, nobody asks Jin. “Babas never got asked—only Nyonyas did.” So, gathering his courage, he announces, “I can help.” The aunties brush him off, assuming that a boy would only get in the way, but Mamah comes to the rescue: “I don’t see anything wrong with Jin learning if he wants to.” Jin’s excitement at helping Mamah cook is palpable in Lee’s sensory-laden text (“The sizzle of her stuffed fried fish sounded like music”), and the two have a blast pounding, pressing, squeezing, slicing, and crying with laughter. Soon they have a feast of Peranakan Chinese delights, and Jin even learns some of Mamah’s secrets, like her father’s laksa recipe. Colorful digital illustrations with a cartoony look do a fine job of conveying the action, and the slightly contrived climactic moment for Jin is easily overlooked for the bigger message of allowing kids to explore their interests and connect with family. (This book was reviewed digitally.)
Delicious and affirming. (author’s note, recipe) (Picture book. 4-8)Pub Date: Nov. 14, 2023
ISBN: 9780374389857
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
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