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STALIN'S WAR

A NEW HISTORY OF WORLD WAR II

Brilliantly contrarian history.

A sweeping reassessment of World War II seeking to “illuminate critical matters long obscured by the obsessively German-centric literature” on the subject.

Veteran historian McMeekin states bluntly that while Hitler wanted war, Stalin wanted it more. A loyal Marxist, he had no doubt that capitalist nations—among which he included Nazi Germany—were doomed. According to the author, throughout the 1930s, as war became more likely, Stalin worked to ensure that it would leave his enemies exhausted and ripe for revolution. The 1939 nonaggression pact between the Soviet Union and Germany seemed a dazzling coup for both nations, but Stalin got greedy. Piggybacking on Hitler’s early victories, he snatched as much territory as Nazi Germany. As a result, several hundred miles of buffer between the Soviet Union and Germany disappeared, making Hitler’s 1941 surprise attack possible. In his account of the titanic campaign that followed, McMeekin pays more attention than most military historians to the loathsome behavior of both sides to civilians and even their own soldiers. He shows less sympathy than most to Stalin’s insults and demands for aid from the Allies and none whatsoever for Soviet representatives vacuuming up America’s patents, technology, and services. The author maintains that Nazism vanished in 1945, but “the Soviet legacy lives on in the Communist governments of China, North Korea, and Vietnam, countries on which Hitler’s short-lived Reich left not even a shadow.” He adds that Allied efforts to cultivate Stalin before Hitler’s invasion failed, and the massive American support afterward was entirely selfish. Consequently, the Soviets, having done most of the fighting, emerged with most of the fruits of victory. The author’s provocative suggestion that America should have allowed the two evil empires to fight it out will ruffle feathers, but it effectively kills the idea that WWII was a battle of good vs. evil. Yet another winner for McMeekin, this also serves as a worthy companion to Niall Ferguson’s The Pity of War, which argued that Britain should not have entered World War I.

Brilliantly contrarian history.

Pub Date: April 20, 2021

ISBN: 978-1-5416-7279-6

Page Count: 864

Publisher: Basic Books

Review Posted Online: Jan. 6, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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