A journey into familiar territory with a skilled guide; but here’s hoping that future trips head into the unknown.
In the seventh Wayward Children tale, students plan to escape from a brutal institution designed to crush the magic out of them.
Cora, a strong swimmer constantly tormented by her peers for her weight, went through an underwater door to the Trenches, a magical undersea world where she was a mermaid and a hero, valued for her bulk and her strength. But a whirlpool spat her out again into our world, leaving her bereft. Eleanor West’s Home for Wayward Children brought her among other young people who had traveled through a door and returned here, often unwillingly. Cora then passed through another door leading to the creepy world of the Moors, where the sinister Drowned Gods claimed her for their own. Even back at the school, Cora can’t block out their voices or deny their marks on her skin, so she makes the desperate choice to switch to the Whitethorn Institute, which, rather than helping children while they wait for their doors to reappear, encourages them to reject their magical pasts and accept this world as home. Sadly, Cora almost immediately understands that Whitethorn’s philosophy is less about giving its students the strength to move on with their lives and more about breaking their spirits and ruthlessly molding them into a miserable conformity. But dropping out isn’t an option the school offers, and Cora and her friends realize that Whitethorn has more than mundane means at its disposal to keep them there. McGuire’s themes—let people be themselves and don’t treat being fat as some kind of moral failing or physical issue that’s easily addressed—won’t surprise readers of this series and her other works, but her usual arguments remain sound, and she tells a good story. There are also some deeply chilling moments in the experiences of the other students, particularly in the case of a girl cursed by the Rat King to shrink into a nameless rat.
A journey into familiar territory with a skilled guide; but here’s hoping that future trips head into the unknown.Pub Date: Jan. 4, 2022
ISBN: 978-1-250-21362-4
Page Count: 160
Publisher: Tordotcom
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Let’s hope for more from the next book set in this world.
Sasha Cadell has survived against all odds, holding onto her loved ones and strangers as they take their last breaths—and that’s why she’s known as Death’s Angel.
For six years Sasha has lived in Haven, the underground society built to withstand nuclear war. Since the war, since her family’s deaths, since discovering she doesn’t get sick like everyone else does, Sasha’s life has been full of death and overfull with grief. While working in the Ward, Haven’s limited hospital, she stays with patients as they die. When Tristian Hayes, a unit commander of the Force, ends up as her patient, hanging on for his life, she pleads for him to stay alive. He does—upending her bleak ritual as Death’s Angel. Hoping to forget everything she’s seen and to numb the pain, Sasha leaves the Ward in favor of a role with a pickax, expanding Haven’s tunnels. Tristian, fiercely determined and stunningly stubborn, recruits Sasha to the Force for a vital mission aboveground. The story picks up steam with Sasha’s intense training to become the medic for Tristian’s tightknit unit. Together, they bear the weight of their unit’s survival and all that’s left of humankind. While in training, Sasha struggles to discern friends and enemies, but nothing is as challenging as facing her own demons. In this prequel to her debut novel, Conform (2025), Sullivan tries to accomplish a lot with both the worldbuilding and plot machinations, resulting in a convoluted story and flattened characters. The plot doesn’t have a satisfying payoff, but the romantic tension between Sasha and Tristian will keep readers engaged.
Let’s hope for more from the next book set in this world.Pub Date: March 24, 2026
ISBN: 9798217091027
Page Count: 464
Publisher: Ballantine
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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