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THE BOY AND THE DOG

Heartbreakingly moving in its simplicity.

While searching for his own destiny, a dog changes the lives of lost souls.

In the wake of a tsunami in Fukushima Prefecture, Japan, Kazumasa Nakagaki—a young man working as a delivery driver/getaway car operator—finds a stray dog politely waiting outside a convenience store. From the dog’s collar, Kazumasa learns that his name is Tamon and assumes that this is short for Tamonten, a Japanese guardian deity. And that is exactly what Tamon becomes for Kazumasa and many others throughout the novel: a guardian angel. Tamon protects Kazumasa as he carries out his illicit activities and tries to make money to support his family. Tamon brings joy to Kazumasa’s sister and his ailing mother, whose dementia leads her to believe that Tamon is her childhood dog (a pattern throughout as others associate Tamon with dogs from their pasts). But Kazumasa knows that Tamon, who is constantly and mysteriously turning to look toward the southwest, is not fated to stay with him, and when circumstances drag them apart, Tamon continues on his journey. In a story told in episodic vignettes, Tamon becomes the companion of a criminal, a wife with a deadbeat husband, a sex worker with a dark secret, and, perhaps most poignantly, an old man dying of cancer. Hase’s last vignette finds Tamon with a young boy whose early years have been marked by deep trauma. Hase’s staccato sentences and straightforward narrative structure should not be mistaken for shallowness. And while some stories are more affecting than others (“The Couple and the Dog” feels slightly awkward in its narrative arc), Hase’s novel is ultimately a touching meditation on shining lights in the face of trauma and hopelessness: “It’s your dog magic, I suppose. Dogs don’t just make people smile. They give us love and courage, too, just from being at our side.”

Heartbreakingly moving in its simplicity.

Pub Date: Nov. 15, 2022

ISBN: 978-0-59-330041-1

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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