It is said that one in every seven Americans has Brooklyn roots; this lively love song to Brooklyn’s 2.5 million people and...
An engaging and hip alphabetical trip through the largest and most populous of New York City’s five boroughs—Kings County—better known as Brooklyn.
The Canadian-born Alko embraces her adopted borough. She's a curious and avid collector of human experience and visual delights. The book is organized alphabetically but eccentrically. For example, "ornaments," "Ocean Parkway," "organic foods" and the "Old Stone House" (George Washington’s headquarters during the Battle of Brooklyn) all appear on the same letter “O” page. Despite these and other Brooklyn "insider" choices, readers will be attracted by the book’s kid-centric style and hold on for the Cyclonelike roller-coaster ride ("C"—"Coney Island") because of the book’s celebratory look and feel. Kaleidoscopic mixed-media pages (gouache and collage) are chockablock with vibrant images that fairly burst from the pages. A pleasantly informative author’s note and a rudimentary map attempt to orient and situate the reader. Though families who seek a simple and straightforward “A is for apple”–style alphabet book will be disappointed, the more venturesome will want to pay a visit to Brooklyn and return to sample the book's (and borough's) vitality over and over again.
It is said that one in every seven Americans has Brooklyn roots; this lively love song to Brooklyn’s 2.5 million people and nearly 82 square miles is a welcome celebration of its rich ethnic, culinary, racial and religious diversity. (Picture book. 3-7)Pub Date: Aug. 21, 2012
ISBN: 978-0-8050-9213-4
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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