A lively valedictory caper from an ebullient storyteller.
An indomitable Nicaraguan inspector undertakes a perilous homecoming, then sets about solving a series of crimes.
The final playful volume in Ramírez’s Managua Trilogy—following No One Weeps for Me Now (2022)—features a literal Chinese box, which also serves as a fitting (and surely intentional) metaphor for its loopy plot. Heroic sleuth Dolores Morales, again introduced through his Wikipedia entry, works as a private investigator but is still known as “Inspector” because of his years with the National Police Force. When the story opens, he and his new sidekick, Serafín Rambo, are climbing Mount La Campana, secretly crossing from Honduras, where Morales has been in exile, back to Nicaragua, where Morales’ lover, Fanny Toruño, has had a relapse of cancer. Completing their party is the faithful guide Gato de Oro (“the Golden Cat”), who's described as “a kind of crude giant.” The novel, episodic and long on colorful characters, often resembles a reunion party. Urbane Lord Dixon, a companion in The Sky Weeps for Me (2020) and a droll posthumous adviser in the Inspector’s head thereafter, makes wry italicized comments that Morales responds to aloud, for example by scolding Dixon for his tardy arrival, confusing everyone around him. Doña Sofía, who began as a cleaning lady and worked her way up to the status of indispensable investigator, joins the team midway to investigate an attack on a beloved priest and the murder of his nephew. Banter flows, and references to pop culture and Nicaragua’s recent political turmoil abound.
A lively valedictory caper from an ebullient storyteller.Pub Date: Sept. 1, 2023
ISBN: 9781620540619
Page Count: 284
Publisher: McPherson & Company
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
