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PROOF OF CORRUPTION

BRIBERY, IMPEACHMENT, AND PANDEMIC IN THE AGE OF TRUMP

Treasonous? Perhaps not—but Abramson’s catalog makes a strong case for Trump’s outsized, boundless corruption.

The third volume in a trilogy devoted to recording Donald Trump’s countless misdeeds, civil and criminal.

As an exercise in what Abramson calls “curatorial journalism,” the narrative is often difficult to stomach due to the author’s careful and exhaustive evidence for his contention that the Trump administration exhibits a “perniciously systemic penchant for four types of activity” that are key to the definition of corruption. Three of these are impeachable, and the fourth comprises “nonimpeachable conduct that indicates a president is unfit to serve as a matter of ethics, conformity to democratic norms, and commitment to the rule of law.” A critical question is whether Trump has been so thoroughly compromised as a result of foreign entanglements that he constitutes a security risk—that is, he “cannot be trusted to…put the safety and security of the United States ahead of personal avarice or ambition.” Abramson, of course, answers that question in the affirmative. At the center of his investigation is the multifaceted matter of Trump’s seeking the assistance of foreign governments in order to provide negative material about his political opponents: Russia, Ukraine, even China. Trump’s machinations, carried out by means of various lieutenants such as Paul Manafort and supported by legal enablers such as William Barr, make for maddening reading. So do his many missteps, including the curious choice to open negotiations with Taiwan in December 2016 for a Trump-branded airport project, the first direct negotiation with the nation on the part of an American president since 1979. Even so, Trump pressed the government of mainland China for information on Joe Biden and his son, which, as Secretary of State Mike Pompeo blithely explained, “is what we do.” That China did not jump to oblige Trump helps explain his labeling of Covid-19—his handling of which, by Abramson’s account, has been both corrupt and inept—the “China plague.”

Treasonous? Perhaps not—but Abramson’s catalog makes a strong case for Trump’s outsized, boundless corruption.

Pub Date: Sept. 8, 2020

ISBN: 978-1-250-27299-7

Page Count: 576

Publisher: St. Martin's

Review Posted Online: July 21, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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