by Shane Goth ; illustrated by Sara Gagnon-Dumont ‧ RELEASE DATE: April 15, 2025
Sound, visually inspired guidance for young perfectionists.
A young musician discovers the joys of improvisation.
Hannah dreams of becoming a professional pianist and expects nothing less than perfection from herself. As she plays, a series of personified notes emerge, holding hands as they march and keeping “perfect pitch and a steady tempo,” even as Hannah’s more free-wheeling little sister, Jenny, romps among them. As Hannah practices for a performance of Swan Lake at her school’s year-end concert, she consistently gets one note wrong. “Wrong notes are fun,” says Jenny. Hannah disagrees and diligently rehearses. When the wrong note makes an appearance at the concert, Hannah is devastated. Her parents praise her, but she counters, “It wasn’t perfect!” At home, Jenny discovers the wrong note sulking in the corner and tickles it; together they wriggle in glee. Hannah’s never seen a note do that before. Ignoring her sheet music, she tries something new, and the notes “tripped and skipped and even flipped.” Hannah adores these new sounds and concludes, “Maybe the wrong note wasn’t wrong.” Though the story’s a bit heavy-handed, with an abrupt ending, it conveys a vital message about embracing imperfection and learning to cut loose. Goth employs robust language to convey Hannah’s passion, while Gagnon-Dumont’s loose, energetic illustrations rely on a limited palette of browns, grays, blues, white, and black, with yellow splashes. Hannah and her family are brown-skinned; their community is diverse.
Sound, visually inspired guidance for young perfectionists. (Picture book. 4-7)Pub Date: April 15, 2025
ISBN: 9781771475914
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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