by Shane Kuhn ‧ RELEASE DATE: April 8, 2014
An entertaining, ferociously violent romp about a morally bankrupt killer trying to find his way home.
Never trust anyone under the age of 25: That cute-as-a-button intern just might be trying to blow your brains out.
Couched as a piece of evidence in an FBI investigation, this debut novel by B-movie screenwriter Kuhn is an inventive, profane and violent comedy that strongly recalls Duane Swierczynski’s office farce Severance Package (2008). The narrative is disguised as an assassination manual written by one John Lago, the real purpose of which is to confess his sins. Creeping up on his 25th birthday, John is a long-time employee of Human Resources, Inc., a shadowy firm that employs broken youngsters and soul-damaged orphans as assassins. Their gig is to infiltrate the highest levels of corporate malfeasance as interns, disappear into the machine and whack the target. “If you’re going to do this, you can’t ever try to justify it,” Lago warns. “You are the bad guy, and that is your role. Without you, there is no benchmark for judging bad guys. We are the yin. Civilians are the yang.” It turns out that John’s last assignment from his boss, “Bob,” just before mandatory retirement kicks in, is to infiltrate an exclusive law firm and ferret out which of the three partners is selling the identities of turncoats in the Federal Witness Protection Program to the highest bidder. Along the way, he falls madly in love with Alice, an entry-level associate who may also have other motives for working at the firm. It’s a propulsive, well-written black comedy that apes a variety of other killer comedies, ranging from Josh Bazell’s Beat the Reaper to the film Grosse Pointe Blank, while also exploring tender subjects like what happens to children who are raised without parents. Believable dialogue, a whip smart and cynical central character, clever reversals and an entertaining amount of bone-crunching violence help wrap up this nasty package with a pretty little bow.
An entertaining, ferociously violent romp about a morally bankrupt killer trying to find his way home.Pub Date: April 8, 2014
ISBN: 978-1-4767-3380-7
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Jan. 20, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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by Ruth Ware ‧ RELEASE DATE: July 19, 2016
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
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