A memorable cast animates this dark, disturbing, and insightful vision.
In the 1890s, an impoverished contortionist from North Britain, an alternate Canada, joins a notably diverse band of teen circus performers on a road trip across the viciously racist and ableist Empire of America.
Following his father’s death, white farm boy Solomon Hunt, 15, sets off in hopes of supporting his mother and younger siblings. He meets the Seer, a nonspeaking little person with a mysterious history, and helps free him from the museum where he’s on display. The two go on the run, crossing the American Empire border into Buffalo. As they gather up other performers, they’re pursued by ruthless showman Leopold J. Coop, who has lofty political ambitions, across a nation in which Abraham Lincoln was assassinated before becoming president. Progressing toward Hollywood via steam train, dirigible, and stagecoach, their growing company of outsiders includes Cleo, a Black girl who was being used in a terrifying carnival act; Angus, an unusually tall white boy, who was sold by his parents; and genderfluid Chinese and Irish American martial artist John (sometimes Joan) Chan. With savagery that cuts to the bone—and without glossing over North Britain’s racialized abuses—Peacock highlights the American entertainment industry’s exploitation of vulnerable, marginalized people in this tense, triumphant outing. As the zigzag journey winds its way to a climactic confrontation, the story explores the autonomy-seeking leads’ belief that “we all just want to be respected, be recognized as individuals and be worth something.”
A memorable cast animates this dark, disturbing, and insightful vision. (Alternate history. 12-18)Pub Date: June 7, 2025
ISBN: 9781770867963
Page Count: 240
Publisher: DCB Young Readers
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: yesterday
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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