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PRINCESS ACADEMY

THE GRAPHIC NOVEL

A smart, captivating crowd pleaser.

Hale’s well-loved Newbery Honor–winning 2005 novel gets an alluring graphic re-imagining with illustrations.

Young Miri (who, with her light skin and brown hair in two long braids, resembles Anna from Disney’s Frozen) lives in Mount Eskel, a small, struggling village where most people mine linder stone and constantly worry about making ends meet. Miri’s overprotective Pa won’t allow her to work in the quarries, to her great consternation. When the 18-year-old Crown Prince Steffan announces that he plans to wed a Mount Eskel girl, the draconian Tutor Olana sets up an academy for the girls of the village to learn refinement. Living and studying together in the old stone minister’s house, the girls develop close bonds—and rivalries. Learning to read gives inquisitive Miri newfound leverage in the exploitative linder trade and a dawning notion of how she could save her beloved home. Miri is torn over the prospect of being chosen to be a princess: Providing for her family would mean entering a world where she would be regarded as a social inferior. Hale’s fun, feminist, original fairy tale translates well to the graphic medium. Ying’s bright colors and cleanly wrought panels create a cinematic feel, with strong appeal for a new generation of fans. The visual representation of a violent encounter with bandits ramps up the story’s intensity. Decades later, Hale’s story feels timeless in its exploration of friendship, family, and empowerment.

A smart, captivating crowd pleaser. (Graphic fantasy. 10-14)

Pub Date: April 7, 2026

ISBN: 9781547612024

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE AFTERMYTH

From the Aftermyth series , Vol. 1

Exciting, if largely unexplained, adventures fill this Greek mythology–inspired boarding school fantasy.

Can Penelope survive her first, disaster-ridden months at Anaximander’s Academy, where graduates earn gifts from their Greek god patrons?

In this series opener, 13-year-old Penelope Weaver and her twin brother, Paris, eagerly anticipate joining Anaximander’s intellectual and well-ordered Athena Hall, like their parents before them. But the moment they reach the school grounds in western Massachusetts, Penelope—and no one else—ricochets from one supernatural adventure to another, ruining all her plans. To her and her family’s horror, she ends up being assigned to the cheerfully chaotic Aphrodite Hall. More disasters follow. Penelope’s muse is rude and useless, her 12 assigned labors make no sense, Paris (who’s in Athena Hall) grows distant and unsupportive, their parents are disappointed, and her terrifying adventures keep derailing her education. She’s ready to give up and leave—but her roommate, Fifi, becomes a supportive friend, and the Aphrodites prove much nicer and more fun than the Athenas. Maybe if Penelope soldiers on, the chaos might start to make sense? Anaximander’s provides a creatively imagined and well-described setting for the hapless, sympathetic, and resilient Penelope’s adventures. Her evolution from an uber-controlled “Athena girl” into someone more flexible who learns what true friends are is believable and gratifying. While her adventures are compulsively readable, many story elements remain frustratingly lacking in context. The secondary characters lack depth; Fifi reads Black, and her characterization evokes the Black best friend trope. Penelope’s family is cued white.

Exciting, if largely unexplained, adventures fill this Greek mythology–inspired boarding school fantasy. (Fantasy. 10-13)

Pub Date: Feb. 3, 2026

ISBN: 9781665985468

Page Count: 448

Publisher: Aladdin

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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