An original novel about how to let go of adolescent fantasies and make it to adulthood.
A movie and quirks of fate send strangers in all directions—but mostly toward each other.
In 1992, the famous comic book series Eons & Empires is made into a movie, and its pull is irresistible to three sets of teenagers. In Florida, Chicago and Cincinnati, they make dates and ditch school to see their favorite comic on the big screen. From there, the book rockets into adult life, following some of those teens as they stumble through young adulthood and across one another. Oliver and Phoebe fall in love and then she disappears across the country; Adam develops from geek to movie star; and Sharon gets her heart broken then reinvents herself as a journalist. The characters call and write each other over the years as their relationships change, and much is made of their regular cross-country travels; the book features more airports than a James Bond movie. Goldhagen’s (Family and Other Accidents, 2006) writing is funny and honest and reflects well the oddities of modern America. However, at times the dialogue is so similar from arc to arc that it can be hard to differentiate them, which has the effect of making the stories blend together and seem a bit dull. And though Goldhagen cleverly winds the strands of each story around the others, the relationships between various characters don’t always add to other characters’ tales. Still, Goldhagen’s resistance to cliché keeps the story interesting, and it ends well. Suburban kids who matured in the 1990s and 2000s will find much to identify with, and fans of Rainbow Rowell’s adult novels will appreciate the realistic love stories.
An original novel about how to let go of adolescent fantasies and make it to adulthood.Pub Date: Jan. 13, 2015
ISBN: 978-1-250-04799-1
Page Count: 272
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
A heartfelt tale of love too stubborn to surrender to human frailties.
When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.
After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.
A heartfelt tale of love too stubborn to surrender to human frailties.Pub Date: Nov. 20, 2018
ISBN: 978-0-06-231925-8
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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