Another impressive entry in this series featuring strong women in transition.
At the center of Struth’s (Sweet Life, 2017, etc.) second Sweet Life novel is Willow Armstrong, a woman at a crossroad.
Willow is the founder of the Pound Busters weight-loss franchise (think of a more militant Weight Watchers). Her husband has ditched her, and her longtime business adviser has embezzled her personal and company funds, and she falls off the dietary wagon. The “queen of weight loss” gets caught on camera shoving a slice of pizza into her mouth, and her place at the company she founded is in jeopardy. Salvation beckons when Willow goes through an envelope of her late mother’s things and discovers she has inherited a house in England’s Cotswold region. She travels there to escape her scandal, fix up and sell her ancestral home, and get back on her financial feet. Struth cleverly underscores the point that life is what happens while you’re busy making plans. Willow is soon adopted by Owen Hughes, the caretaker of her new property; his young daughter, Jilly; and their dog, Henry, who live in a cottage on the grounds. Naturally she falls for Owen, and soon the people and places of the Cotswolds have Willow questioning all that she formerly found important. Struth has created a likably human protagonist. She was the chubby girl denigrated by her ex-model mom and stepfather who found her own well-received method to reach the societal standard of beauty. But Struth shows how, despite fame and fortune, the old insecurities lingered: “Deep inside of her, though, lurked the same person. The one who let dark demons in the pantry lure her to comfort.” Through her leisurely narrative pace, Struth allows the people and places of rural England to work their magic on the uptight Willow.
Another impressive entry in this series featuring strong women in transition.Pub Date: April 17, 2018
ISBN: 978-1-5161-0359-1
Page Count: 226
Publisher: Kensington Publishing Corporation
Review Posted Online: June 25, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
Connelly takes a break from his Harry Bosch police novels (The Last Coyote, p. 328, etc.) for something even more intense: a reporter's single-minded pursuit of the serial killer who murdered his twin. Even his buddies in the Denver PD thought Sean McEvoy's shooting in the backseat of his car looked like a classic cop suicide, right clown to the motive: his despondency over his failure to clear the murder of a University of Denver student. But as Sean's twin brother, Jack, of the Rocky Mountain News, notices tiny clues that marked Sean's death as murder, his suspicions about the dying message Sean scrawled inside his fogged windshield—"Out of space. Out of time"—alert him to a series of eerily similar killings stretching from Sarasota to Albuquerque. The pattern, Jack realizes, involves two sets of murders: a series of sex killings of children, and then the executions (duly camouflaged as suicides) of the investigating police officers. Armed with what he's dug up, Jack heads off to Washington, to the Law Enforcement Foundation and the FBI. The real fireworks begin as Jack trades his official silence for an inside role in the investigation, only to find himself shut out of both the case and the story. From then on in, Jack, falling hard for Rachel Walling, the FBI agent in charge of the case, rides his Bureau connections like a bucking bronco—even as one William Gladden, a pedophile picked up on a low-level charge in Santa Monica, schemes to make bail before the police can run his prints through the national computer, then waits with sick patience for his chance at his next victim. The long-awaited confrontation between Jack and Gladden comes at an LA video store; but even afterward, Jack's left with devastating questions about the case. Connelly wrings suspense out of every possible aspect of Jack's obsessive hunt for his brother's killer. Prepare to be played like a violin.
Pub Date: Jan. 15, 1996
ISBN: 0-316-15398-2
Page Count: 440
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.
Pub Date: Oct. 21, 1988
ISBN: 0241951658
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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