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BOOKLESS IN BAGHDAD

REFLECTIONS ON WRITING AND WRITERS

Intriguing thoughts by an author of worldly range and depth.

United Nations senior official Tharoor (Nehru, 2003, etc.) reflects on some important—and neglected—literary influences of his cultural heritage in 40 columns originally written for Indian newspapers.

Who reads Enid Blyton anymore, or Malcolm Muggeridge, or even P.G. Wodehouse? Tharoor, who was raised in middle-class Bombay during late 1950s and ’60s, ponders his colonial literary inheritance in the initial essays here. “Growing Up with Books in India” notes how reading English gave him “access to a broader world,” while, in a curious inversion, he encountered many traditional Indian fables through the European versions in Aesop’s fables. “The Spy Who Stayed Out in the Cold” scolds John le Carré for “buttressing his tawdry fictions with op-ed assaults on the post–Cold War peace between the superpowers.” For Tharoor, the engagé life and politics of Chilean poet Pablo Neruda serve as a heroic humanitarian model, as does the committed stance of Salman Rushdie, subject of “The Ground Beneath His Feet,” which thoughtfully reflects on India’s astonishingly pluralistic national identity. The author doles out sterner treatment to fellow Indian fiction writer R.K. Narayan, faulted for “the narrowness of his vision, the predictability of his prose.” Meanwhile, Tharoor frequently plugs his own novels: “Mining the Mahabharata” acknowledges the role the 2,000-year-old Indian epic poem played in the shaping of his Great Indian Novel, and “How Riot Nearly Caused a Riot” describes the agitation caused by a reading from his work among a group of Indian expatriates in New York. Nervily, he takes the U.S. to task for its illiteracy in one essay, then in the next ridicules the desire of 81 percent of Americans to write their own books. Most relevant of all is “Globalization and the Human Imagination,” a description of Tharoor’s UN mission dedicated to responsible media.

Intriguing thoughts by an author of worldly range and depth.

Pub Date: July 11, 2005

ISBN: 1-55970-757-7

Page Count: 288

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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