A crafty, page-turning spin on chronicling Black family history.
An intriguing hybrid of historical romance and fantasy suggests that going back in time may be one way to weed out generational trauma.
“My family tree has poisoned roots,” Cecily Bridge-Davis announces at the start of this haunting saga about the “curse” of time travel. It is May 1964 and Cecily, an African American professor of history, has come into possession of her father’s 65-acre patch of Virginia farmland. When she leaves her Tennessee home to see what’s there, she finds an empty cabin, a spool made from a maple tree, and a family Bible with a yellowed flyleaf listing the names and birth dates of every Bridge family member born on the farm from the 1760s to the 1920s. She also hears from an elderly local about a long-ago murder-kidnapping implicating one of her ancestors. Which turns out to be slightly less shocking than discovering the reason why some of those ancestors vanished for decades: One Bridge offspring in each generation is somehow transported back in time. She also finds a map with locations of strange containers along with a list of “Bridge Family Rules” for time travel: “Never interfere with past events.” “Always carry your freedom papers.” “Search for the survival packs in the orchard.” “Do not speak to strangers unless absolutely necessary.” Cecily presses her inquiry into the family’s temporally peripatetic history all the way back to the 18th century and such precursors as Luke, whose tumble through time takes him from freedom to slavery and eventually into the Continental Army, where he undergoes the travails of Valley Forge. After her forays in the library for more information, Cecily herself is compelled to leave 1964 for 1911, where she takes a different identity and eventually gets a teaching job in circa 1924 Washington, D.C., where she tells one of her students, a young woman named Amelia Bridge, that they’re related and that “Millie” must make the most important time jaunt of their shared family history. Sometimes all this gets even more complicated than it reads here. But Madison shows considerable skill and narrative control. To her credit, it’s hard not to be reminded of Octavia Butler’s Kindred, as well as The Time Traveler’s Wife and some of Ray Bradbury’s time-displacement stories.
A crafty, page-turning spin on chronicling Black family history.Pub Date: Sept. 3, 2024
ISBN: 9780063290594
Page Count: 448
Publisher: Amistad/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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