A debut novel about a woman who befriends an octopus is a charming, warmhearted read.
A lonely woman discovers that sometimes humans don’t have all the answers.
Tova Sullivan’s best friend is an octopus. A giant Pacific octopus named Marcellus, to be precise, and he is that—the novel opens with the first of several short chapters narrated in the first person (unlike the rest of the book) by the octopus himself, who can, as he points out, do many things we don’t know he can do. What he can’t do is escape from captivity in a small public aquarium in the fictional town of Sowell Bay, near Puget Sound. Tova, too, has lived in the town for most of her life, in a house built by her father. At age 70, she’s stoic but lives with layers of grief. Her estranged brother has just died, with no reconciliation between them, and her beloved husband died a couple of years before from cancer. But the unsealable wound is the disappearance 30 years ago of her only child. Erik was an 18-year-old golden boy when he vanished, and the police, although they found no body, believe he killed himself. Tova does not. She fills her days with visits with her longtime friends, a group of gently eccentric women who call themselves the Knit-Wits, and fills her nights cleaning at the aquarium. There, she prides herself on keeping the glass and concrete scrupulously clean while chatting with the inhabitants, although she saves her deep conversations for Marcellus. Lately she’s been concerned about the way he's been escaping from his tank and cruising through the other enclosures for live snacks—and sometimes visiting nearby rooms, which risks his life. Tova is too preoccupied to pay attention to the sweet but awkward flirting of Ethan, the Scotsman who runs the grocery store, but she does get drawn into the complicated life of a young man named Cameron who wanders into Sowell Bay. Although Tova and other characters are dealing with serious problems like loss, grief, and aging, Van Pelt maintains a light and often warmly humorous tone. Tova’s quest to figure out what happened to Erik weaves her back into other people’s lives—and occasionally into someone’s tentacles.
A debut novel about a woman who befriends an octopus is a charming, warmhearted read.Pub Date: May 3, 2022
ISBN: 978-0-06-320415-7
Page Count: 368
Publisher: Ecco/HarperCollins
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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