by Sheldon Whitehouse with Jennifer Mueller ‧ RELEASE DATE: Oct. 18, 2022
A maddening indictment of a corrupt and corrupted judiciary.
A damning investigation of dark money by a senior member of the Senate Judiciary Committee.
The scheme of Sen. Whitehouse’s title concerns “regulatory capture,” in which a business infiltrates a government agency to undo any efforts to make that business obey the law. “A classic response by regulated entities has been to try to ‘capture’ the agency meant to be overseeing them,” he writes, and the practice has now been extended to wholesale “agency capture.” In this scheme, the federal court system is an object of capture, which is why it should come as no surprise that wealthy businesses and individuals spent millions of dollars to ensure that Donald Trump’s three Supreme Court appointees made it to the bench. The Founding Fathers, Whitehouse writes, “did not intend courts as an anti-majoritarian back door for billionaire anti-government donors frustrated that the public hates their ideology”—but that’s exactly where we are. The author traces the origins of this capture movement to Robert Bork’s unsuccessful Supreme Court bid during the Reagan administration, when conservatives devoted their energies to placing like-minded judges throughout the federal judiciary. One strong instrument of capture came with the Citizens United decision, which declared that corporations had individual rights; one strong instrument to curtail this capture, which Whitehouse has championed, would require disclosure of any campaign contribution of more than $10,000. “No surprise,” he writes, “Republican Senators have blocked it from becoming law.” Yet another instrument of capture is the appointment of individuals to legal positions even though the legal community at large has rated them to be unqualified, without—as in the case of Brett Kavanaugh—minimal due diligence. We don’t know all there is to know about the scheme, Whitehouse concludes in this closely reasoned argument, adding, “I expect history will dig out those sordid details.”
A maddening indictment of a corrupt and corrupted judiciary.Pub Date: Oct. 18, 2022
ISBN: 978-1-62097-738-5
Page Count: 256
Publisher: The New Press
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
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