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THE SITTIN' UP

Ultimately, the story is a victim of its own charm. Like sweet tea with sweet-potato pie, it’s too much sugar, not enough...

Moses presents a tale of sorrow and hope that recalls the simple pageant of life in a close-knit community of tobacco sharecroppers.

Bean got his nickname after folks in Low Meadows began calling his best friend, Martha Rose, Pole, as in, “skinny as a beanpole.” Narrated by Bean in a folksy vernacular, the tale examines the two children as they approach a rite of passage for young people in their community—the right to participate in the weeklong mourning ritual known as “the sittin’ up.” The death of revered former slave Mr. Bro. Wiley at the beginning of the work turns the community on its ear and provides the backdrop for Bean and Pole’s coming-of-age. Through her quiet exploration of the ritual, Moses illustrates how people in desperate times find dignity and joy amid their trouble. The National Book Award winner and Coretta Scott King honoree folds the harsh reality of sharecropping into poetic language that is easy on the ear. That said, the book’s slow pace ultimately feels dreary. The constant filling in of back stories bogs the plot down, and the frequent colloquialisms begin to grate, like an affected Southern accent.

Ultimately, the story is a victim of its own charm. Like sweet tea with sweet-potato pie, it’s too much sugar, not enough spice. (Historical fiction. 8-12)

Pub Date: Jan. 9, 2014

ISBN: 978-0-399-25723-0

Page Count: 240

Publisher: Putnam

Review Posted Online: Oct. 22, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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