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MARIE CURIE AND HER DAUGHTERS

THE PRIVATE LIVES OF SCIENCE'S FIRST FAMILY

A slightly uneven but uniquely human look at a brilliant scientific family.

An intimate portrait of the professional and private lives of legendary scientist Marie Curie and her daughters, Irène and Eve.

Journalist Emling (The Fossil Hunter: Dinosaurs, Evolution, and the Woman Whose Discoveries Changed the World, 2009, etc.) opens with Marie receiving her second Nobel Prize a few years after the death of husband, Pierre, with whom she shared her first Nobel. While many Curie biographies pay scant attention to this last quarter-century of her life, Emling explores the later years of “the woman, mother, and friend behind the pioneering scientist,” bolstered by the Curie family’s personal letters, given to the author by Curie’s granddaughter, Hélène Langevin-Joliot. Emling describes Curie’s life trying to balance the demands of her scientific research with the needs of her two daughters. At the time of her second Nobel, Curie’s career was nearly derailed when news emerged of an affair between her and a married former student, physicist Paul Langevin. Although the scandal died down eventually, Curie would remain wary of journalists for the rest of her life, save one: American magazine editor and socialite Marie “Missy” Meloney, who befriended Curie and brought her to America as part of a campaign to raise funds for Curie’s Radium Institute. Emling explores in full the scientific career of Curie's daughter Irène; working together, Irène and her husband followed in her parents’ footsteps, sharing a Nobel Prize for chemistry in 1935—an honor Marie did not live to see, having died the previous year. Unfortunately, Eve, the daughter who opted for a career as a musician and journalist, receives scant attention; Emling relegates the details of her life to a single chapter, which feels obligatory and tacked on.

A slightly uneven but uniquely human look at a brilliant scientific family.

Pub Date: Aug. 21, 2012

ISBN: 978-0-230-11571-2

Page Count: 272

Publisher: Palgrave Macmillan

Review Posted Online: June 3, 2012

Kirkus Reviews Issue: June 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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