A wonderful portrait of provincial China rendered in a beautifully accessible translation.
A Chinese journalist’s intimate vignettes reveal the lives of citizens from his rural hometown, unearthing a deep layer of Chinese history rarely seen beyond its borders.
“When our hometowns vanish, we become rootless people, individual atoms existing in isolation within the ice-cold city,” writes Shen at the beginning, lamenting the decline of the village that has been inhabited for centuries. “We who left our hometowns have nothing to rely on, and are anxiously absorbed by the prosperity of urban life. Surrounding us are the faces of familiar strangers.” Like many young Chinese, Shen left the village for greater opportunity in the city, horrified by “what seemed to me like a dark future in the village.” He left at age 18 and did not return until 2001, 10 years later. “The swift decay of the village shocks me,” he writes, with no young people or children to be found. “Virtually every time I return, I see a newly added grave,” he writes. “Along with the declining population, one old house after another falls into disrepair and then disappears.” The author writes fondly of Mr. He, the bricklayer whose garden was the most beautiful in the village, and how he was one of the first Christian converts and thereby somewhat suspect in a place where the ways of the ancestors were deeply revered. Other characters in Shen’s affecting narrative include a tofu maker, a lantern maker, a tailor, a schoolteacher, and a carpenter, all with their own secrets and tragedies. Collectively, their stories transport readers back to a bygone time when the village was turned into an agricultural collective and, later, the period in the 1950s when the people suffered through a famine. Each fully fleshed character represents an element of an often hidden Chinese history; as Shen writes in this eloquent text, “each person, no matter how humble, contains an epic poem of their own.”
A wonderful portrait of provincial China rendered in a beautifully accessible translation.Pub Date: Jan. 4, 2022
ISBN: 978-1-66260-075-3
Page Count: 256
Publisher: Astra House
Review Posted Online: Nov. 9, 2021
Kirkus Reviews Issue: Dec. 1, 2021
PERSPECTIVES
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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