by Shinsuke Yoshitake ; illustrated by Shinsuke Yoshitake ; translated by Ajani Oloye ‧ RELEASE DATE: Sept. 23, 2025
Gentle and profoundly wise advice plays out in a dialogue between two loving siblings.
Reflective conversations between two kids offer life lessons for philosophical readers.
In three vignettes, older sibling Memen, clad in a jumper dress, offers tender and occasionally humorous advice to the smaller Mori, who sports a distinctive red cap. When Mori laments after breaking Memen’s handmade plate, Memen is quick to console the youngster: “Well, that’s okay. I can just make another one….It’s really fine! Because in the end, no matter what, every single thing breaks or goes away.” Memen models astute acceptance. “There are things we can control, and things we can’t. And we want to learn to tell the difference between them.” The second story is told from the perspective of a sangfroid, self-aware, and dirty snowman with wanderlust, but the third rings most true to the slightly morbid reference of the book’s name, memento mori, providing a humbling reflection on our smallness and what people live for. Thickly outlined spot illustrations are expressive and poignant, with simply filled in solid hues set against spacious blank expanses. Yoshitake’s minimal text, translated from Japanese and both heavier and heftier than many of the author/illustrator’s recent works, takes the occasional tone of a graduation speech while imparting some truly sage, existential wisdom. This one is likely to spark meaningful conversations among young readers and with adults. Characters have black hair and skin the white of the page.
Gentle and profoundly wise advice plays out in a dialogue between two loving siblings. (Picture book. 4-8)Pub Date: Sept. 23, 2025
ISBN: 9798855417401
Page Count: 136
Publisher: JY
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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