A perfectly mild unpacking of the nuances and subtleties of boredom.
The oft-heard childhood phrase “I’m bored” becomes the jumping-off point for this philosophical picture book.
There is nothing to entertain or distract this child today, and so the protagonist becomes inquisitive about boredom. What does it mean exactly? Does everyone experience it? Even animals? Is life a continual dichotomy between fun and boring? Is boredom a matter of perspective? As the child demonstrates with bemusement, sometimes wandering through such answerless wonderings can itself be the antidote to boredom. Each page offers a thought experiment examining the nature of boredom sure to provoke curiosity and insight. This English translation of a book originally published in Japan in 2017 makes reference to Japanese culture through the illustrations; school children wear traditional uniforms, and adults sit cross-legged at tables low to the ground. All characters have the same paper-white skin, simple facial features, and brown or gray hair; the repetition of hairstyles, clothing, and facial expressions on the people emphasizes a sameness that is characteristic of boredom, yet even so, the illustrations are interesting and evocative. Adults and children will find this boring book a wonderful resource for sparking conversation. It’s a terrific reminder for readers of all ages that boredom is always optional.
A perfectly mild unpacking of the nuances and subtleties of boredom. (Picture book. 6-10)Pub Date: Aug. 6, 2019
ISBN: 978-1-4521-7456-3
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
Dog lovers and young Dr. Moreaus alike will guffaw.
Split pages allow mixing and matching sections of 10 purebred canines.
Forget cockapoos and labradoodles—flipping the three segments here back and forth makes for some truly unlikely hybrids: “I’m a Bulldog— / Yorkshire Terrier— / Great Dane mix”; “I’m a Komondor— / Greyhound— / Poodle mix”; “I’m a Dachshund— / Shar-Pei— / Dalmatian mix.” Ball (Flip-O-Storic, 2011) cranks up the drollery with a set of big, handsome pooches drawn and colored to set off their distinctive characteristics, posed naturalistically against plain yellow backgrounds, and looking up or out with doggy devotion. She also adds the occasional tail-pulling puppy, silly hat, or other comical side business. In addition to the identifying captions, Garczynski contributes a table of descriptive information about each breed at the beginning. This includes to-scale silhouettes that are helpful since all of the interior dogs are rendered the same size so that the transitions more or less match up. (Although the Yorkie’s stubby forelegs still make a peculiar mismatch with the lanky hind limbs of the Great Dane.) Also, each sturdy strip features a “personal” observation, such as the Dalmatian’s “I’m known for my distinctive spots. If I open my mouth, you’ll even see spots in there.” Aside from the note of condescension in the Shar-Pei’s claim that its tongue “was once thought to ward off evil spirits,” these last are at least innocuous and sometimes informative.
Dog lovers and young Dr. Moreaus alike will guffaw. (Novelty picture book. 6-8)Pub Date: Oct. 9, 2018
ISBN: 978-0-7892-1310-5
Page Count: 22
Publisher: Abbeville Kids
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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